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Which Male Actor had the best run in the 60s?

It could be the best in terms of anything
Paul Newman: The Hustler, Cool Hand Luke, Exodus, From the Terrace, Paris Blues, Hud, Hemingway's Adventures of a Young Man, Sweet Bird of Youth, Harper, Lady L, Hombre, Torn Curtain, Winning, Butch Cassidy and the Sundance Kid, The Secret War of Harry Frigg, The Prize, What a Way to Go!, The Outrage, and A New Kind of Love.
Gregory Peck: To Kill a Mockingbird, Mackenna's Gold, The Chairman, Cape Fear, Captain Newman, M.D., How the West Was Won, Behold a Pale Horse, Marooned, Mirage, Arabesque, The Stalking Moon, and The Guns of Navarone.
Steve McQueen: The Sand Pebbles, The Great Escape, Love with the Proper Stranger, The Magnificent Seven, The Thomas Crown Affair, The Cincinnati Kid, Bullitt, The Honeymoon Machine, The Honeymoon Machine, The War Lover, Soldier in the Rain, Nevada Smith, Baby the Rain Must Fall, and The Reivers.
Dustin Hoffman: The Graduate, Midnight Cowboy, The Tiger Makes Out, Madigan's Millions, and John and Mary.
Peter O Toole: Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips, Kidnapped, The Day They Robbed the Bank of England, The Savage Innocents, What's New Pussycat?, The Sandpiper, Lord Jim, How to Steal a Million, The Bible: In the Beginning..., Casino Royale, The Night of the Generals, and Great Catherine.
Henry Fonda: How the West Was Won, Firecreek, Once Upon a Time in the West, Madigan, The Boston Strangler, Fail Safe, Sex and the Single Girl, The Longest Day, Advise & Consent, Spencer's Mountain, The Dirty Game, In Harm's Way, A Big Hand for the Little Lady, Welcome to Hard Times, The Best Man, The Rounders, Battle of the Bulge, and Yours, Mine and Ours.
Toshiro Mifune: Shinsengumi, The Battle of the Japan Sea, Red Lion, Safari 5000, Hell in the Pacific, Samurai Banners, The Day the Sun Rose, Admiral Yamamoto, Japan's Longest Day, The Sands of Kurobe, Samurai Rebellion, Grand Prix, The Mad Atlantic, The Adventure of Kigan Castle, Rise Against the Sword, The Sword of Doom, Fort Graveyard, The Retreat from Kiska, Sanshiro Sugata, Samurai Assassin, Red Beard, Legacy of the 500,000, The Lost World of Sinbad, Whirlwind, Chūshingura: Hana no Maki, Yuki no Maki, Attack Squadron!, High and Low, Yojimbo, The Youth and his Amulet, Sanjuro, Tatsu, Three Gentlemen Return from Hong Kong, Salaryman Chushingura Part 1 & 2, The Story of Osaka Castle, The Youth and his Amulet, Ánimas Trujano, The Last Gunfight, The Gambling Samurai, The Bad Sleep Well, Man Against Man, and Storm Over the Pacific.
Montgomery Clift: Judgment at Nuremberg, The Misfits, Freud: The Secret Passion, The Defector, and Wild River.
Burt Lancaster: Judgment at Nuremberg, Birdman of Alcatraz, Elmer Gantry, Seven Days in May, The Leopard, The Professionals, The Unforgiven, The Young Savages, The List of Adrian Messenger, A Child Is Waiting, The Hallelujah Trail, The Train, The Swimmer, The Scalphunters, Castle Keep, and The Gypsy Moths.
Marlon Brando: Mutiny on the Bounty, The Fugitive Kind, One-Eyed Jacks, Morituri, The Chase, Bedtime Story, The Ugly American, Reflections in a Golden Eye, Candy, The Appaloosa, The Night of the Following Day, Burn!, and A Countess from Hong Kong.
Tony Curtis: Captain Newman, M.D., The Boston Strangler, Sex and the Single Girl, Spartacus, Pepe, The Rat Race, The Great Impostor, The List of Adrian Messenger, 40 Pounds of Trouble, Paris When It Sizzles, The Outsider, Taras Bulba, Goodbye Charlie, Not with My Wife, You Don't!, The Great Race, Wild and Wonderful, Boeing Boeing, Chamber of Horrors, On My Way to the Crusades, I Met a Girl Who..., Rosemary's Baby, Drop Dead Darling, Don't Make Waves, Monte Carlo or Bust!, and Who Was That Lady?.
Robert Redford: The Chase, Tall Story, Situation Hopeless... But Not Serious, War hunt, Inside Daisy Clover, Butch Cassidy and the Sundance Kid, Barefoot in the Park, This Property Is Condemned, Tell Them Willie Boy Is Here, and Downhill Racer.
Anthony Perkins: Tall Story, Psycho, The Trial, Phaedra, Pretty Poison, Five Miles to Midnight, Goodbye Again, The Fool Killer, Une ravissante idiote, Le glaive et la balance, The Champagne Murders, and Is Paris Burning?.
John Huston: Candy, The List of Adrian Messenger, The Cardinal, Casino Royale, and The Bible: In the Beginning
John Wayne: How the West Was Won, The Sons of Katie Elder, The Longest Day, True Grit, El Dorado, Cast a Giant Shadow, The War Wagon, The Green Berets, The Man Who Shot Liberty Valance, Hatari!, North to Alaska, The Alamo, The Comancheros, The Greatest Story Ever Told, Circus World, Hellfighters, and The Undefeated.
Jack Lemmon: The Great Race,Pepe, The Apartment, The Wackiest Ship in the Army, The Notorious Landlad, Days of Wine and Roses, Under the Yum Yum Tree, Irma la Douce, How to Murder Your Wife, Good Neighbor Sam, Luv, The Fortune Cookie, The Odd Couple, and The April Fools.
Marcello Mastroianni: 8 1/2, La Dolce Vita, La Notte, Yesterday, Today and Tomorrow, Divorce Italian Style, Marriage Italian Style, The 10th Victim, Adua and Her Friends, Il bell'Antonio, Ghosts of Rome, La Notte, Family Diary, Family Diary, The Organizer, Kiss the Other Sheik, Me, Me, Me... and the Others, Casanova 70, Shoot Loud, Louder... I Don't Understand, The Poppy Is Also a Flower, Ghosts – Italian Style, Amanti, Break Up, The Stranger, and Diamonds for Breakfast.
James Stewart: How the West Was Won, Firecreek, The Flight of the Phoenix, The Man Who Shot Liberty Valance, Cheyenne Autumn, The Mountain Road, Two Rode Together, Mr. Hobbs Takes a Vacation, Take Her, She's Mine, Shenandoah, Dear Brigitte, Bandolero!, and The Rare Breed.
Robert Mitchum: What a Way to Go!, Cape Fear, The Longest Day, El Dorado, Home from the Hill, The Sundowners, A Terrible Beauty, Two for the Seesaw, The Last Time I Saw Archie, The Grass Is Greener, The Way West, Mister Moses, Rampage, Man in the Middle, Anzio, 5 Card Stud, Villa Rides, The Good Guys and the Bad Guys, Secret Ceremony, and Young Billy Young.
Robert Duvall: Captain Newman, M.D., True Grit, To Kill a Mockingbird, Bullitt, The Chase, Nightmare in the Sun, Countdown, and The Detective.
Jean-Paul Belmondo: Breathless, That Man from Rio, Seven Days... Seven Nights, Trapped by Fear, Classe Tous Risques, The Lovemakers, Two Women, Lettere di una novizia, Love and the Frenchwoman, Le Doulos, Famous Love Affairs, Cartouche, A Man Named Rocca, Mare matto, The Winner, Sweet and Sour, Banana Peel, A Monkey in Winter, Backfire, Greed in the Sun, Weekend at Dunkirk, The Shortest Day, Magnet of Doom, Tender Scoundrel, Is Paris Burning?, Casino Royale, Male Hunt, Crime on a Summer Morning, Pierrot le Fou, Up to His Ears, Ho!, The Brain, Mississippi Mermaid, and Love Is a Funny Thing.
Kirk Douglas: Seven Days in May, The List of Adrian Messenger, Spartacus, Is Paris Burning?, The War Wagon, The Way West, Lonely Are the Brave, The Heroes of Telemark, Town Without Pity, The Last Sunset, For Love or Money, The Hook, The Arrangement, The Legend of Silent Night, The Brotherhood, A Lovely Way to Die, and Cast a Giant Shadow.
Charles Bronson: The Magnificent Seven, The Great Escape, Battle of the Bulge, Villa Rides, Guns of Diablo, X-15, The Bull of the West, 4 for Texas, Lola, Once Upon a Time in the West, Guns for San Sebastian, The Dirty Dozen, A Thunder of Drums, Kid Galahad, Master of the World, The Sandpiper, This Property Is Condemned, The Meanest Men in the West, and Adieu l'ami.
Orson Welles: Casino Royale, Is Paris Burning?, The Trial, Kampf um Rom, The Thirteen Chairs, The Merchant of Venice, Battle of Neretva, Tepepa, The Southern Star, I'll Never Forget What's'isname, A Man for All Seasons, David and Goliath, La Fayette, Austerlitz, Crack in the Mirror, The Tartars, The V.I.P.s, Chimes at Midnight, In the Land of Don Quixote, Marco the Magnificent, House of Cards, The Immortal Story, and Oedipus the King.
William Holden: Paris When It Sizzles, The Wild Bunch, The World of Suzie Wong, The Lion, Satan Never Sleeps, The Counterfeit Traitor, Casino Royale, The Devil's Brigade, The 7th Dawn, Alvarez Kelly, and The Christmas Tree.
Frank Sinatra: Cast a Giant Shadow, The Detective, 4 for Texas, The Manchurian Candidate, Tony Rome, Pepe, The Devil at 4 O'Clock, The Road to Hong Kong, Sergeants 3, Come Blow Your Horn, None but the Brave, Paris When It Sizzles, Lady in Cement, The Oscar, Assault on a Queen, The Naked Runner, Von Ryan's Express, Marriage on the Rocks, and Robin and the 7 Hoods.
Elvis Presley: G.I. Blues, Kid Galahad, Wild in the Country, Follow That Dream, Blue Hawaii, It Happened at the World's Fair, Girls! Girls! Girls!, Fun in Acapulco, Roustabout, Viva Las Vegas, Kissin' Cousins, Frankie and Johnny, Girl Happy, Harum Scarum, Tickle Me, Clambake, Easy Come, Easy Go, Double Trouble, Stay Away, Joe, Live a Little, Love a Little, Speedway, Change of Habit, The Trouble with Girls, Charro!, Spinout, and Paradise, Hawaiian Style.
Edmond O'Brien: The Wild Bunch, The Longest Day, The Man Who Shot Liberty Valance, Fantastic Voyage, The Great Impostor, The Last Voyage, The 3rd Voice, Birdman of Alcatraz, Man-Trap, Moon Pilot, Sylvia, Rio Conchos, The Hanged Man, The Outsider, Synanon, The Doomsday Flight, The Love God?, Flesh and Blood, The Viscount, and To Commit a Murder.
Ben Johnson: The Wild Bunch, The Rare Breed, The Undefeated, Hang 'Em High, Cheyenne Autumn, Will Penny, One-Eyed Jacks, Ten Who Dared, Tomboy and the Champ, and Major Dundee.
Warren Oates: The Wild Bunch, The Rise and Fall of Legs Diamond, The Rounders, Ride the High Country, Private Property, Mail Order Bride, Hero's Island, In the Heat of the Night, Welcome to Hard Times, The Shooting, Return of the Seven, Smith!, Crooks and Coronets, The Split, Something for a Lonely Man, and Lanton Mills.
Sidney Poitier: In the Heat of the Night, Lilies of the Field, A Patch of Blue, To Sir, With Love, A Raisin in the Sun, Guess Who's Coming to Dinner, Paris Blues, The Long Ships, Pressure Point,All the Young Men, The Bedford Incident, The Greatest Story Ever Told, The Slender Thread, Duel at Diablo, For Love of Ivy, and The Lost Man.
Rod Steiger: The Longest Day, In the Heat of the Night, The Pawn broker, Doctor Zhivago, No Way to Treat a Lady, Three into Two Won't Go, Seven Thieves, The Mark, 13 West Street, World in My Pocket, Convicts 4, Time of Indifference, Hands over the City, A Man Named John, The Loved One, The Girl and the General, The Sergeant, and The Illustrated Man.
Ernest Borgnine: The Dirty Dozen, The Wild Bunch, The Legend of Lylah Clare, Pay or Die, The Last Judgment, Barabbas, The Italian Brigands, McHale's Navy, The Flight of the Phoenix, The Oscar, The Split, A Bullet for Sandoval, Ice Station Zebra, Chuka, Go Naked in the World, Black City, and Man on a String.
George Kennedy: The Boston Strangler, Charade, Strait-Jacket, McHale's Navy, The Sons of Katie Elder, The Dirty Dozen, Shenandoah, The Flight of the Phoenix, Guns of the Magnificent Seven, The Good Guys and the Bad Guys, Cool Hand Luke, The Little Shepherd of Kingdom Come, The Man from the Diners' Club, The Silent Witness, McHale's Navy, Mirage, Hush...Hush, Sweet Charlotte, Island of the Blue Dolphins, In Harm's Way, Hurry Sundown, Bandolero!, The Ballad of Josie, Gaily, Gaily, and The Pink Jungle.
Strother Martin: McLintock!, The Man Who Shot Liberty Valance, Cool Hand Luke, Hurry Sundown, Sanctuary, Shenandoah, Harper, Nevada Smith, The Sons of Katie Elder, The Wild Bunch, Butch Cassidy and the Sundance Kid, True Grit, An Eye for an Eye, The Flim-Flam Man, Showdown, Invitation to a Gunfighter, and The Deadly Companions.
Clint Eastwood: The Dollars Trilogy, Hang 'Em High, Where Eagles Dare, The Witches, Coogan's Bluff, and Paint Your Wagon.
Eli Wallach: How the West Was Won, The Magnificent Seven, The Misfits, The Tiger Makes Out, Lord Jim, How to Steal a Million, A Lovely Way to Die, Seven Thieves, The Good, the Bad and the Ugly, Genghis Khan, The Poppy Is Also a Flower, How to Save a Marriage and Ruin Your Life, Ace High, Hemingway's Adventures of a Young Man, The Brain, Mackenna's Gold, Kisses for My President, Act One, The Moon-Spinners, and The Victors.
Lee Van Cleef: The Man Who Shot Liberty Valance, For a Few Dollars More, The Good, the Bad and the Ugly, Posse from Hell, The Big Gundown, Sabata, Death Rides a Horse, Commandos, Day of Anger, and Beyond the Law.
Richard Burton: The Sandpiper, Where Eagles Dare, Ice Palace, The Longest Day, The Bramble Bush, Zulu, Becket, Cleopatra, What's New Pussycat?, The Night of the Iguana, The Spy Who Came In from the Cold, Who's Afraid of Virginia Woolf?, The Taming of the Shrew, Candy, Boom!, The Comedians in Africa, The Comedians, Doctor Faustus, Staircase, and Anne of the Thousand Days.
Paul Scofield: A Man for all Seasons, The Train, and Tell Me Lies.
Warren Beatty: All Fall Down, Splendor in the Grass, Bonnie and Clyde, Lilith, The Roman Spring of Mrs. Stone, Mickey One, Promise Her Anything, and Kaleidoscope.
Albert Finney: Tom Jones, The Entertainer, Saturday Night and Sunday Morning, Two for the Road, The Victors, Night Must Fall, Charlie Bubbles, and The Picasso Summer.
Lee Marvin: Hell in the Pacific, The Professionals, The Man Who Shot Liberty Valance, The Comancheros, Paint Your Wagon, Point Blank, The Killers, Donovan's Reef, Cat Ballou, Ship of Fools, Sergeant Ryker, Hell in the Pacific, The Dirty Dozen, and Point Blank.
Anthony Quinn: Behold a Pale Horse, Barabbas, Zorba the Greek, Lawrence of Arabia, Guns for San Sebastian, The Rover, San Sebastian 1746 in 1968, The Secret of Santa Vittoria, A Dream of Kings, The 25th Hour, The Happening, Lost Command, Marco the Magnificent, The Visit, A High Wind in Jamaica, Heller in Pink Tights, The Savage Innocents, Portrait in Black, The Guns of Navarone, The Magus, and The Shoes of the Fisherman.
Michael Caine: Hurry Sundown, The Magus, Zulu, The Ipcress File, Alfie, The Italian Job, Deadfall, Funeral in Berlin, Billion Dollar Brain, Battle of Britain, Gambit, The Wrong Box, Woman Times Seven, Play Dirty, Foxhole in Cairo, Solo for Sparrow, The Wrong Arm of the Law, The Bulldog Breed, and The Day the Earth Caught Fire.
Rex Harrison: Cleopatra, My Fair Lady, Doctor Dolittle, The Happy Thieves, Midnight Lace, The Agony and the Ecstasy, The Yellow Rolls-Royce, Staircase, The Honey Pot, and A Flea in Her Ear.
Sean Connery: The Longest Day, Dr. No, Marnie, Goldfinger, From Russia with Love, Macbeth, The Frightened City, On the Fiddle, Anna Karenina, Shalako, The Red Tent, You Only Live Twice, Un monde nouveau, The Hill, A Fine Madness, Thunderball, Woman of Straw, and The Bowler and the Bunnet.
Spencer Tracy: Judgment at Nuremberg, Guess Who's Coming to Dinner, Inherit the Wind, The Devil at 4 O'Clock, and It's a Mad, Mad, Mad, Mad World.
Chishû Ryû: Late Autumn, Otoko wa Tsurai yo, The Human Bullet, Japan's Longest Day, The End of Summer, An Autumn Afternoon, The Human Condition 3, and The Last War.
Martin Balsam: Psycho, A Thousand Clowns, Trilogy, The Good Guys and the Bad Guys, Around the World of Mike Todd, Me, Natalie, Around the World of Mike Todd, Hombre, Among the Paths to Eden, After the Fox, Harlow, The Bedford Incident, Seven Days in May, Suspense, Youngblood Hawke, Everybody Go Home, Breakfast at Tiffany's, Ada, Cape Fear, Route 66, and Who's Been Sleeping in My Bed?.
Alan Bates: Zorba the Greek, Georgy Girl, Far from the Madding Crowd, Women in Love, King of Hearts, The Fixer, The Entertainer, Zorba the Greek, Nothing but the Best, Whistle Down the Wind, A Kind of Loving, The Caretaker, and The Running Man.
Alain Delon: Is Paris Burning?, Famous Love Affairs, Rocco and His Brothers, Purple Noon, The Leopard, Le Samouraï, The Yellow Rolls-Royce, Lost Command, L'Eclisse, The Joy of Living, The Devil and the Ten Commandments, Love at Sea, Carom Shots, Any Number Can Win, Joy House, The Unvanquished, Once a Thief, Texas Across the River, Adieu l'ami, Jeff, The Sicilian Clan, La Piscine, Spirits of the Dead, The Girl on a Motorcycle, The Last Adventure, and Diabolically Yours.
Peter Sellers: What's New Pussycat?, Casino Royale, Woman Times Seven, Dr. Strangelove, Lolita, The Millionairess, Never Let Go, Two-Way Stretch, The Wrong Arm of the Law, The Dock Brief, The Pink Panther, Only Two Can Play, Mr. Topaze, Waltz of the Toreadors, Heavens Above!, A Shot in the Dark, The World of Henry Orient, A Carol for Another Christmas, Casino Royale, Woman Times Seven, The bobo, The Party, The Magic Christian, and I Love You, Alice B. Toklas.
George C. Scott: The List of Adrian Messenger, The Hustler, Not with My Wife, You Don't!, The Flim-Flam Man, Dr. Strangelove, The Power and the Glory, The Crucible, The Yellow Rolls-Royce, The Bible: In the Beginning..., This Savage Land, and Petulia.
Walter Matthau: Charade, Fail Safe, The Fortune Cookie, The Odd Couple, Strangers When We Meet, Lonely Are the Brave, Mirage, Ensign Pulver, Island of Love, Who's Got the Action?, Candy, Cactus Flower, Hello, Dolly!, The Secret Life of an American Wife, and A Guide for the Married Man.
Jean-Louis Trintignant: Z, A Man and a Woman, The Great Silence, Austerlitz, Horace 62, Un homme à abattre, La Longue marche, Trans-Europ-Express, Le Combat dans l'île, So Sweet... So Perverse, L'Américain, Mata Hari, Agent H21, Journey Beneath the Desert, Il Sorpasso, Col cuore in gola, Death Laid an Egg, Les Biches, My Love, My Love, The Man Who Lies, Metti, una sera a cena, My Night at Maud's, The Libertine, The Sleeping Car Murders, Diamond Safari, Spotlight on a Murderer, Nutty, and Naughty Chateau.
Max von Sydow: The Greatest Story Ever Told, Shame, Hour of the Wolf, The Virgin Spring, Through a Glass Darkly, Bröllopsdagen, 4x4, Winter Light, Hawaii, Adventures of Nils Holgersson, The Mistress, Made in Sweden, The Passion of Anna, The Quiller Memorandum, Svarta palmkronor, The Reward, and Here Is Your Life.
Richard Attenborough: The Sand Pebbles, The Great Escape, Doctor Dolittle, The Angry Silence, Upgreen – And at 'Em, The Dock Brief, Only Two Can Play, The League of Gentlemen, All Night Long, Séance on a Wet Afternoon, The Third Secret, The Flight of the Phoenix, Only When I Larf, Guns at Batasi, The Magic Christian, Oh! What a Lovely War, and The Bliss of Mrs. Blossom.
Melvyn Douglas: Hud, Hotel, The Crucible, Companions in Nightmare, Rapture, Inherit the Wind, Lamp At Midnight, Advance to the Rear, A Very Close Family, The Americanization of Emily, and Billy Budd.
Woody Strode: Spartacus, The Man Who Shot Liberty Valance, Sergeant Rutledge, The Last Voyage, Two Rode Together, The Sins of Rachel Cade, Che!, Once Upon a Time in the West, Boot Hill, Genghis Khan, Shalako, Black Jesus, The Professionals, Tarzan's Three Challenges, and 7 Women.
Yûsuke Kawazu: The River Fuefuki, Ken, Manji, Kiri no Hata, Cruel Story of Youth, Genocide, Fighting Elegy, and Black Lizard.
John Cassavetes: The Dirty Dozen, Rosemary's Baby, A Child Is Waiting, The Killers, Devil's Angels, Roma come Chicago, If It's Tuesday, This Must Be Belgium, Machine Gun McCain, and The Webster Boy.
Laurence Harvey: The Outrage, Kampf um Rom, The Manchurian Candidate, The Ceremony, The Alamo, The Long and the Short and the Tall, BUtterfield 8, Walk on the Wild Side, The Wonderful World of the Brothers Grimm, The Running Man, A Girl Named Tamiko, Darling, Of Human Bondage, Summer and Smoke, Two Loves, The Doctor and the Devil, Rebus, The Spy with a Cold Nose, The Magic Christian, L'assoluto naturale, The Charge of the Light Brigade, A Dandy in Aspic, Life at the Top, The Outrage, and The Winter's Tale.
Omar Sharif: Mackenna's Gold, Behold a Pale Horse, Lawrence of Arabia, Doctor Zhivago, The Poppy Is Also a Flower, The Fall of the Roman Empire, Funny Girl, More Than a Miracle, Che!, Mayerling, Trois hommes sur un cheval, The Appointment, Genghis Khan, The Yellow Rolls-Royce, El mamalik, The Night of the Generals, Lawet El Hub, Nahna el talamiza, Gharam el assiad, Hobi al-Wahid, The Beginning and the End, The River of Love, A Rumor of Love, and There is a Man in our House.
George Peppard: How the West Was Won, Breakfast at Tiffany's, The Carpetbaggers, House of Cards, Home from the Hill, The Victors, The Subterraneans, P.J.,What's So Bad About Feeling Good?, Pendulum, Operation Crossbow, The Third Day, Tobruk, Rough Night in Jericho, and The Blue Max.
James Garner: The Great Escape, Grand Prix, Duel at Diablo, 36 Hours, The Pink Jungle, A High Wind in Jamaica,Hour of the Gun, The Americanization of Emily, Cash McCall, The Children's Hour, Boys' Night Out, Action on the Beach, The Art of Love, Grand Prix: Challenge of the Champions, The Thrill of It All, Move Over, Darling, The Wheeler Dealers, Marlowe, Support Your Local Sheriff!, The Man Who Makes the Difference, Once Upon a Wheel, The Racing Scene, A Man Could Get Killed, How Sweet It Is!, and Mister Buddwing.
Donald Pleasence: The Great Escape, The Night of the Generals, You Only Live Twice, Creature of Comfort, Will Penny, Fantastic Voyage, The Greatest Story Ever Told, The Hallelujah Trail, The Caretaker, Suspect, No Love for Johnnie, The Shakedown, The Flesh and the Fiends, The Hands of Orlac, Hell Is a City, The Wind of Change, Circus of Horrors, Sons and Lovers, The Big Day, Dr. Crippen, Cul-de-sac, The Inspector, What a Carve Up!, Eye of the Devil, Matchless, Arthur? Arthur!, The Other People, The Madwoman of Chaillot, A Story of David, and Spare the Rod.
James Coburn: Charade, The Americanization of Emily, The Magnificent Seven, Hell Is for Heroes, The Great Escape, Our Man Flint, In Like Flint, The Man from Galveston, The Murder Men, Hell Is for Heroes, What Did You Do in the War, Daddy?, Duffy, Candy, The President's Analyst, Dead Heat on a Merry-Go-Round, Waterhole No. 3, Major Dundee, A High Wind in Jamaica, The Loved One, and Hard Contract.
Cary Grant: Charade, The Grass Is Greener, That Touch of Mink, Walk, Don't Run, and Father Goose.
Horst Buchholz: The Magnificent Seven, One, Two, Three, Fanny, Nine Hours to Rama, Marco the Magnificent, The Empty Canvas, Ankle Bone, Cervantes, That Man in Istanbul, Johnny Banco, and How, When and with Whom.
Jackie Gleason: Soldier in the Rain, The Hustler, Gigot, Requiem for a Heavyweight, Skidoo, Papa's Delicate Condition, How to Commit Marriage, and Don't Drink the Water.
Arthur Kennedy: Lawrence of Arabia, Barabbas, Hemingway's Adventures of a Young Man, Claudelle Inglish, Cheyenne Autumn, Murder, She Said, Anzio, Shark!, A Minute to Pray, a Second to Die, Hail, Hero!, Nevada Smith,Murieta, Fantastic Voyage, Attack and Retreat, Joy in the Morning, Monday's Child, and Day of the Evil Gun.
Peter Finch: Kidnapped, The Trials of Oscar Wilde, The Day, No Love for Johnnie, In the Cool of the Day, I Thank a Fool, Girl with Green Eyes, The Pumpkin Eater, The Flight of the Phoenix, Judith, First Men in the Moon, Far from the Madding Crowd, 10:30 P.M. Summer, Come Spy with Me, The Greatest Mother of Them All, The Legend of Lylah Clare, and The Red Tent.
Hugh Griffith: How to Steal a Million,Exodus, Mutiny on the Bounty, Oliver!, The Counterfeit Traitor, The Citadel, Point of Departure, The Day They Robbed the Bank of England, The Inspector, Tom Jones, Term of Trial, The Poppy Is Also a Flower, Hide and Seek, The Bargee, The Amorous Adventures of Moll Flanders, On My Way to the Crusades, I Met a Girl Who..., Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, The Sailor from Gibraltar, The Fixer, Il marito è mio e l'ammazzo quando mi pare, and Brown Eye, Evil Eye.
Jason Robards: A Big Hand for the Little Lady, Hour of the Gun, Long Day's Journey into Night, A Thousand Clowns, Act One, By Love Possessed, Isadora, Tender Is the Night, Divorce American Style, A Big Hand for the Little Lady, The St. Valentine's Day Massacre, Any Wednesday, Once Upon a Time in the West, and The Night They Raided Minsky's.
George Seagel: The Southern Star, No Way to Treat a Lady, Invitation to a Gunfighter, Who's Afraid of Virginia Woolf?, Lost Command, The Quiller Memorandum, The St. Valentine's Day Massacre, King Rat, Act One, The Young Doctors, The Bridge at Remagen, The Girl Who Couldn't Say No, Bye Bye Braverman, and The New Interns.
Rod Taylor: Chuka, The Time Machine, Sunday in New York, The Glass Bottom Boat, 36 Hours, The Birds, Hotel, Nobody Runs Forever, The Hell with Heroes, One Hundred and One Dalmatians, Seven Seas to Calais, Colossus and the Amazon Queen, Dark of the Sun, The Liquidator, Young Cassidy, Fate Is the Hunter, Do Not Disturb, and A Gathering of Eagles.
Robert Ryan: Ice Palace, Billy Budd, The Longest Day, The Wild Bunch, The Dirty Dozen, Battle of the Bulge, The Professionals, Anzio, Captain Nemo and the Underwater City, A Minute to Pray, a Second to Die, Hour of the Gun, Custer of the West, The Busy Body, The Canadians, King of Kings, and The Crooked Road.
Christopher Plummer: Battle of Britain, The Sound of Music, The Fall of the Roman Empire, Inside Daisy Clover, The Royal Hunt of the Sun, Lock Up Your Daughters, Nobody Runs Forever, Oedipus the King, The Night of the Generals, and Triple Cross.
Michel Piccoli: Le Doulos, Contempt, Diary of a Chambermaid, La Guerre Est Finit, Les Creatures, The Young Girls of Rochefort, Belle De Jour, Danger: Diabolik, Dillinger is Dead, The Milky Way, Topaz, Lady L, The Day and the Hour, Masquerade, L'Invitée, Climats, Les Petits Drames, Adieu Philippine, La dragée haute, Le Bal des espions, Amazons of Rome, All About Loving, The Sleeping Car Murders, The War Is Over, The Game Is Over, Belle de Jour, Benjamin, Shock Troops, La Chamade, and La Prisonnière.
Tatsuya Nakadai: When a Woman Ascends the Stairs, Yojimbo,The Human Condition: A Soldier's Prayer, Immortal Love, Sanjuro, Harakiri ,High and Low, Kwaidan, The Sword of Doom, The Face of Another, Samurai Rebellion, Kill!, Goyokin, Portrait of Hell, Get 'em All, Daughters, Wives and a Mother ,Miren, A Woman's Life, Pressure of Guilt, Love Under the Crucifix, The Blue Beast, The Other Women, Kumo ga chigieru toki, Hakari, The Legacy of the 500,000, Saigo no shinpan, Blood End, Arijigoku sakusen, Kwaidan, Saigo no shinpan, Fort Graveyard, Cash Calls Hell, Illusion of Blood, Kojiro, The Age of Assassins, The Daphne, Today We Kill... Tomorrow We Die!, Rengō Kantai Shirei Chōkan: Yamamoto Isoroku, Blood End, Hitokiri, Eiko's 5000 Kilograms, and The Battle of the Japan Sea.
James Mason: Lolita, Duffy, Mayerling, The Sea Gull, Age of Consent, The Blue Max, Stranger in the House, The Deadly Affair, Georgy Girl, The Fall of the Roman Empire, The Pumpkin Eater, Genghis Khan, Lord Jim, The Uninhibited, Hero's Island, Torpedo Bay, Tiara Tahiti, The Trials of Oscar Wilde, The Marriage-Go-Round, and Escape from Zahrain.
Vincent Price: The Last Man on Earth, Witchfinder General, Convicts 4, Confessions of an Opium Eater, Tower of London, Tales of Terror, The Raven, Diary of a Madman, The Haunted Palace, The Masque of the Red Death, The Tomb of Ligeia, Twice-Told Tales, Dr. Goldfoot and the Bikini Machine, The Comedy of Terrors, City Under the Sea, The House of 1,000 Dolls, The Pit and the Pendulum, Nefertiti, Queen of the Nile, Rage of the Buccaneers, Beach Party, House of Usher, Master of the World, Dr. Goldfoot and the Girl Bombs, Spirits of the Dead, The Trouble with Girls, The Jackals, More Dead Than Alive, and The Oblong Box.
Jack Nicholson: The Raven, Easy Rider, The Little Shop of Horrors, The Shooting, Head, Hells Angels on Wheels, The Trip, The St. Valentine's Day Massacre, Psych-Out, Thunder Island, Back Door to Hell, Ride in the Whirlwind, Flight to Fury, The Wild Ride, The Broken Land, Studs Lonigan, Too Soon to Love, and The Terror.
Rock Hudson: Lover Come Back, Send Me No Flowers, The Last Sunset, Marilyn, The Spiral Road, Come September, Strange Bedfellows, Man's Favorite Sport?, A Gathering of Eagles, A Very Special Favor, Seconds, Tobruk, Ice Station Zebra, The Undefeated, Blindfold, and A Fine Pair.
Charlton Heston: El Cid, The Pigeon That Took Rome, 55 Days at Peking, The Greatest Story Ever Told, While I Run This Race, All About People, The Agony and the Ecstasy, Number One, Planet of the Apes, Counterpoint, Will Penny, Major Dundee, Khartoum, The War Lord, The Five Cities of June, and Diamond Head.
John Gavin: Psycho, Midnight Lace, Back Street, The Madwoman of Chaillot, Thoroughly Modern Millie, OSS 117 – Double Agent, Tammy Tell Me True, Spartacus, Pedro Páramo, A Breath of Scandal, and Romanoff and Juliet.
Stephen Boyd: Lisa, Billy Rose's Jumbo, Fantastic Voyage, The Poppy Is Also a Flower, The Big Gamble, Slaves, The Caper of the Golden Bulls, Shalako, Assignment K, The Bible: In the Beginning..., The Fall of the Roman Empire, Genghis Khan, The Oscar, The Third Secret, and Imperial Venus.
Dick Van Dyke: Bye Bye Birdie, Mary Poppins, Lt. Robin Crusoe, U.S.N., The Art of Love, What a Way to Go!, Chitty Chitty Bang Bang, Divorce American Style, The Comic, Some Kind of a Nut, Fitzwilly, and Never a Dull Moment.
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Album of the Year #20: Lil B - The Hunchback of BasedGod

(Note: This review exceeds Reddit’s 40,000 character limit for text posts so three additional comments are posted in this thread with the rest of the review. Sorting comments by “old” will bring them up for you in order.)
 

EPISODE I: THE HUNCHED BACK MENACE

 
Welcome to Old BasedWorld
Hurried crowds, sparse synths and ringing cathedral bells in the streets of Old BasedWorld set the scene for our journey. High above the town in the Old BasedWorld Cathedral, a young man with a hunched back dreams of a brighter tomorrow.
 
Staring Out My Window
“The only way you could really feel this pain is from the BasedGod” – From this opening line along with the somber instrumental accompanying it Lil B makes it clear that this project will be different from the hyphy material he’d been releasing since Black Ken. The BasedGod’s stirring musical backdrop allows Brandon to reminisce on the times he spent as a troubled youth staring out the windows of Old BasedWorld’s Cathedral (as pictured on the album cover), dreaming of a normal life with the rest of the citizens across the bridge in San Francisco New BasedWorld.
 
The Many Sides of a Genius
Using a compilation of voicemails taken directly from Old BasedWorld’s only working phone, Lil B uses these messages to convey his own message. The people leaving these voicemails were clearly important people in Brandon’s life and, one could say, are some of the “sides of genius” that helped him develop into the man he is today. It continues the album’s narrative of a brilliant soul whose talent and ambition are unnoticed by the outside world, with only those who are closest to him recognizing the genius within.
 
Ain’t Gon Pick Up
One of the people leaving a voicemail on “The Many Sides of a Genius” mentioned how Lil B never picks up his phone, so it’s only appropriate that the next song has B discussing why he chooses not to answer the phone in Old BasedWorld’s Cathedral. It also ties back in to the theme of unrecognized talent, with Brandon stating in the chorus “I ain’t gon pick up, nobody gives a fuck so I don’t give a fuck”. References to stomach pains and Crohn’s disease further highlight how B is feeling “sick to [his] stomach” of being disrespected: by the end of the song, the listener fully understands why Lil B wouldn’t be interested in picking up his phone.
 
Hunchback of BasedGod
One of the album’s great conceptual triumphs. Lil B states from the jump that this song is meant to be a set of instructions for the Hunchback of BasedGod for his eventual descent from his perch back into the town of Old BasedWorld and beyond. It’s still unclear whether or not Lil B himself is the Hunchback, the BasedGod, the Hunchback of BasedGod, or none of the above: the abstractness allows the listener to form their own perceptions and create their own story. Again, there’s a continuation of themes from the previous songs, with further references to stomach pains and issues of self-worth and meaninglessness coming from Lil B: with so much pain in this world, is it even worth it for the Hunchback to enter society? By the end of the song, Brandon affirms that it is, stating, “Do it and don’t just watch/ Step in the game and have fun/ We all townspeople, we one/”. As such, the Hunchback leaves the cathedral, passing through the cobblestone streets of Old BasedWorld while hushed onlookers stare silently, as he ventures out towards New BasedWorld.
 
Berkeley San Francisco Its the BasedGod
This song is delivered from the perspective of the Hunchback, as revealed in the first line of the first verse: “I got the hunched back from all the depression”. Themes of struggle from the previous tracks reemerge, but you get the sense that the Hunchback is beginning to build up his self-esteem, boasting how he refuses to conform to the looks and expectations of the other townsfolk. He also seems to have gotten past the lack of recognition that was hindering him on “The Many Sides of a Genius” and “Ain’t Gon Pick Up”, as he proudly exclaims, “Who cares if I’m famous?” This gives the Hunchback the confidence to finally travel across the bridge he so often observed from his cathedral window. The townspeople are stunned: the Golden Gate BasedWorld Bridge had been badly damaged and decayed for decades, with no one daring to cross in the fears that it would collapse. But the Hunchback’s persistence leads him to make it across unscathed.
 
Outer Mission Music
With his feet firmly set in New BasedWorld, the Hunchback visits the colony of Outer Mission, a tight-knit community of New BasedWorld inhabitants who are unsure of how to react to their visitor. Lil B spends much of this track describing his interactions with the colony’s locals, which include Justin Timberlake, Alex Rodriguez, and Lionel Messi as tribe members. He also manages to make the situation surrounding the identities of his disparate personalities even more confusing, stating, “Lil B, I’ve seen him in public/ Is that the Hunchback of BasedGod, or is that the BasedGod? It’s BasedGod/” Will we ever know the difference?
 
Wake Up Get High Go Back to Sleep
In spite of a renewed sense of confidence brought upon by his decision to leave his old life behind, not all is perfect in the Hunchback’s mind. On this joint (pun intended) he harkens back to his days in the cathedral, where he would spend his mornings smoking heavy doses of marijuana in order to numb the pain of his seclusion, often to the point of losing consciousness. It’s also worth noting that the only weed that grows naturally in Old BasedWorld is mids, so the Hunchback would need to smoke a significant amount to achieve the desired effect.
 
Video Game That I Still Play
The irony in the title of this song is that the “video game” the BasedGod is referencing here is in fact a metaphor for his own life’s journey. As he so aptly states during the chorus: “My life is like a video game/ It’s been so weird, but I still play”. The fact of the matter is, Lil B could have chosen to rage quit this game of life long ago, but his perseverance has brought him to a new place of inner peace within the confines of New BasedWorld, even if the townsfolk are still unsure of how to respond to their new neighbor.
 
I Rather Die Then Go Home
At the end of the previous song, the Hunchback makes reference to an incident where he visited the Café Au Coquelet, a boutique restaurant in New BasedWorld. Upon his arrival, he received a similar reaction to those he used to receive in his homeland: “I go to restaurants, people stop smiling”. While some of the townspeople have begun to appreciate his presence, many of the other New BasedWorld residents still recognize his outsider status and continue to shun him as a result. This song is B’s response, with a firm affirmation that he would rather die than have to go back to the life of isolation he led in the Old BasedWorld Cathedral, where he wasn’t really living life to begin with. That said, the song’s mistitling of based comrade The-Dream’s original line of “I’d rather die than go home” as “I rather die then go home” leaves the Hunchback’s true intentions up for interpretation.
 
Crying in the Club
After finishing a five-course meal at the boutique, B ventures out to the party district of New BasedWorld, where he surprisingly gets admitted to one of the most exclusive night clubs in the land. As he observes the scene, the crushing reality of the differences between himself and the other clubgoers becomes apparent. A single tear is shed, followed by another, and another, until the BasedGod is in a state of full-blown emotional distress. In spite of his condition, he makes it known that he isn’t ashamed of wearing his heart on his sleeve, openly admitting in the chorus: “I don’t really care if I hurt myself, I don’t really care who sees”. This unyielding display of raw emotion brings the music and dancing to a halt. All eyes are now fixated on the strange being with the tear-stained T-shirt and the disfigured spine. He lets out a desperate plea: “I just want a hug…” To the surprise of the Hunchback, the residents of New BasedWorld collectively embrace him, looking past his outer deformities to recognize the beautiful soul that exists within. Historians would later acknowledge this moment as the primary catalyst for the BasedWorld Revolution™.
 
 

EPISODE II: THE COLD WARS

 
Voyage to Berkeley California
Meanwhile, down in the town of Old BasedWorld, the townsfolk slept restlessly, their dreams invaded by shadowy fake based figures digging away at their souls. Every day, people would wake and stare at the Old BasedWorld Cathedral. Why was the Hunchback not ringing the bells that had kept the evil spirits of the fake based realm out of their lives? It was then they realized that the Hunchback had crossed the sacred bridge and ventured to New BasedWorld. Frantic to reconcile with the gatekeeper they had long taken for granted, a group of the townspeople decide to bravely seek out the BasedGod in the hopes that he will return. However, they recognize that crossing the BasedWorld Bridge is something no mortal man is capable of doing and living to tell the tale. Using a secret map rumored to have been drawn up by Captain 66 himself, a group of citizens board a modest ship to cross the San Francisco BasedWorld Bay on a warm summer’s eve. Will they survive? Only time will tell.
 
Across the Sea
And here, ladies and gentlemen, we are presented with the greatest plot twist this side of the Fingerpoke of Doom: It turns out Lil B is not actually the Hunchback and/or the BasedGod after all.
 
Perhaps we should have known all along...
 
Indeed, unbeknownst to the townspeople (who themselves had just assumed all three entities were combined as one person), Lil B has remained in BasedWorld all along in disguise. About halfway into their journey across the Bay, Lil B’s resentment towards his shipmates and their longing for the Hunchback’s return gets the best of him, and the violent persona exhibited on tracks like “Murder Rate” and “Domestic Violence Case” overtakes Lil B’s natural pacifist tendencies. In a fit of rage, he attacks them, “knocking them off the boat” into the shark-infested waters and keeping all of the remaining LifeVests to himself. B himself recognizes the consequences of his actions, ending the song by saying, “This darkness… It’s scary.” Nonetheless, he refuses to be stopped in his mission to visit New BasedWorld and confront the Hunchback all on his own.
 
Where Is the Potion
Having arrived on the shores of New BasedWorld, Lil B ventures into town. Knowing that the only way to find the elusive Hunchback is through the townspeople who may have caught a glimpse of him, he travels to the aforementioned nightclub, with floors still drenched in the BasedGod’s tears from earlier, asking, “Where is the potion?” The response he’s given comes in the form of several bottles of liquor, which quickly dispel any notions of anxiety or self-doubt that may have stopped Lil B from completing his mission. A few of the club’s premium members willingly show him the spots around town where they had spotted the Hunchback, but any further clues of his whereabouts are hard to come by. Before they know it, they find themselves at one of the many riverbanks in New BasedWorld, where a celebration of the BasedGod’s glory is in full swing.
 
Riverdance
This instrumental is what Lil B and the clubgoers heard as they made their way to the bank of the river. Speaking with more of the natives, Lil B learns more of the Hunchback’s travels and experiences in New BasedWorld and begins to put the pieces together in his mind for where the BasedGod may be headed next.
 
Wolves and Snakes
As Lil B continues to plot his course, the BasedGod, who has just finished eating a salad on his way to the colony of Chaddick, senses a disturbance in the Based Force, feeling as though him and his hunched back may be in grave danger. He ponders on the wolves and the snakes that he was forced to deal with in his past life and reflects on the growth he’s experienced since leaving the dreaded, darkened halls of the Cathedral. In spite of this, he can’t help but shake the feeling that, like in the proverbial rear-view mirror, one of these wolves and/or snakes may be closer than they appear…
 
Meeting on UC Berkeley Campus Today
Undeterred, the Hunchback makes his way to UC Berkeley, New BasedWorld’s sole institution of higher learning. After giving a spirited 90 minute lecture on the power of positivity (modeled after previous lectures at such high class institutions as NYU,Carnegie Mellon and Princeton), the BasedGod is greeted by a mass of adoring students at the university. The male students beg for the BasedGod to fuck their bitches, and said bitches are more than willing to oblige. In a grand spectacle, the Hunchback has consensual sex with all 1,000 of the college’s female attendees while this instrumental blares out of speakers across the campus, being awarded with a trophy as a result of his success.
 
Artistic or Autistic
Elsewhere in New BasedWorld, Lil B attempts to strategize his next move. However, planning the escapade is made difficult thanks to B’s second most potent Internet distraction after his Twitter feed: Reddit. Going through a series of faked based comments on the hiphopheads subreddit, Lil B is particularly struck by a comment suggesting that he may in fact be suffering from the neurological disorder autism. The assertion is an eye-opening moment for him: after all, the elevated levels of lead found in Old BasedWorld’s drinking water had been a concern amongst the town’s scientists for years, and his own behaviors and thought patterns seemed to align relatively well with the common symptoms of the condition. After a brief moment of solemnity, Lil B realizes that his immaculate catalog of music has been made possible because of who he is, and if he is autistic, it is an essential component of his artistic output. This song is the result of this revelation.
 
Free 03
Our story continues as the BasedGod chooses to use his newfound fame and glory to give back to the New BasedWorld community. He begins volunteering at the New BasedWorld Penitentiary, espousing his worldview and giving advice to the inmates on how to make positive contributions to society after they have served their time. One particular inmate catches his eye: a fellow hip hop artist named 03 Greedo, who was arrested a few years earlier in a drug trafficking scheme. The Hunchback’s conversations with the young man have a profound impact on him, and in the weeks and months to come, Greedo becomes the model prisoner for other inmates to aspire to be, with intentions of joining the ministry upon his release. The BasedGod, proud of what he was able to accomplish, promises to dedicate a song on his new 50 song mixtape to Greedo.
 
Rhode Island
Rhode Island, officially the State of Rhode Island and Providence Plantations, is a state in the New England region of the northeastern United States. It is the smallest U.S. state by area, the seventh least populous, but is also the second most densely populated. Rhode Island is bordered by Connecticut to the west, Massachusetts to the north and east, and the Atlantic Ocean to the south via Rhode Island Sound and Block Island Sound. It also shares a small maritime border with New York. Providence is the state capital and most populous city in Rhode Island.
 
As Rhode Island is located on the opposite side of the continent from Old and New BasedWorld, it has nothing to do with this story other than this brief mention of its existence.
 
I’m Depressed Again
While the Hunchback is continuing to make great strides in improving the lives of the people in New BasedWorld, he continues to be fazed by an ever-growing sense of something troubling being on the horizon. A dark evil is emerging that he cannot foresee, and he worries that by the time he learns what this evil may be, it will be too late. This sends the BasedGod back into a spiraling depression, one not felt since the last day he had spent alone in the cathedral. He warns his closest confidants of the impending doom, saying, “Real talk… Feel it through your heart. Feel it through the spirit. You can feel it through the dark, cold as ever.”
 
Café Au Coquelet
At the same time as the Hunchback is experiencing this sense of dread, Lil B has made his way to Café Au Coquelet, one of the first spots in New BasedWorld that was graced by the power and the glory of the BasedGod. Lil B immediately detects the Hunchback’s prior presence in the vicinity: all of the restaurant’s guests are acting unusually positive and based towards one another, and the only dish that anyone has ordered over the past week has been the clams casino. Lil B also recognizes that the music playing in the background of the restaurant (the instrumental that is this song) was created by the BasedGod. Enraged, he stands up on the restaurant tables and begins to lambast the townsfolk for having fallen for the lies and deceit of a false prophet. He dictates a new philosophy, beginning by disposing of the food everybody has already ordered and teaching them how to cook for themselves. Before long, the entire restaurant is cooking to “Like a Martian”. A growing sect of New BasedWorld begins to emerge in objection to the Hunchback’s teachings, with Lil B and the swag movement as their new leader.
 
Downtown Berkeley Protest
Back in the colony of Berkeley, the BasedGod is gathering his followers together for a celebration of optimism and goodwill unto others. His new instrumental track plays as the Hunchback’s followers enjoy the festivities. It is at this moment that the BasedGod feels a searing pain encompass his entire being, and he recognizes that this is the moment he has been fearing for the past few weeks: the evil has arrived. A mass of residents from the other New BasedWorld colonies have descended upon the party with torches and handguns. Dressed in pink shirts, tiny pants and Vans sneakers, they march to the center of the crowd in unison, yelling nonsensical phrases such as “Figaro!” and “Martha Stewart!” as the frightened followers of the Hunchback look on. At the front of the mob is the leader, the enigmatic Lil B. He flashes a slight smile at the BasedGod, who stares directly back into the eyes of his former student. As the crowd of pretty residents begin to hurl insults and grievances towards the based residents, Lil B raises one hand, and the noise stops. Then, he begins to walk away. B’s worshipers follow him out of the city square in silent unison. Many of the Hunchback’s flock wonder if this is the end of the madness. However, the BasedGod knows deep down inside that this is just the beginning.
 
 

EPISODE III: REVENGE OF THE BITCH

 
Bring the BasedGod and Lil B Gifts
This is a Cold War, and we know what each side is fighting for. The New BasedWorld citizens have been divided into an even split, with half of the townsfolk (now calling themselves the “Task Force”) following the ways of the Hunchback and the other half (now calling themselves the “Bitch Mob”) committing themselves to the teachings of Lil B. In a frantic attempt to prove the superiority of one leader over the other, the townspeople begin to bestow luxurious gifts and rewards upon their idols in an attempt to make one appear more grandiose than the other. Lil B relishes in his newfound fame, gladly accepting a plethora of PlayStation 2 and Xbox 360 games from his fans, along with a fully registered copy of FL Studio to allow him to produce beats on the same level as the BasedGod. Meanwhile, on the other side of the village, the Hunchback seems uncomfortable embracing his new role as a worshipped deity. Having become accustomed to people ignoring him or being flat-out disgusted by his appearance, the adjustment to now becoming the leader of thousands of men is one that is not made easily.
 
Body Shaming
The opposing sides of New BasedWorld’s population quickly transition from honoring their respective leaders to creating smear campaigns against the opposition. One of the Bitch Mob’s most talented computer hackers manages to secure nude photographs of the Hunchback and distribute them online, highlighting the embarrassing weight gain that the BasedGod has endured over the past 5 years. The Hunchback is at first distraught upon hearing the news: “Why are they body shaming me? Why would they say all these mean things?” It is only when the BasedGod taps into his creamy center, where all the gooey happy-lovin' goo sits that allows him to be the nicest, most compassionate person he’s ever been, that he’s able to let the world know that he will not fall down so easy. He releases this song on his MySpace as a rebuttal, saying, “There's no reason to bully people and make fun of folks”. The Task Force immediately lauds the song as the perfect response to the scandal, while the Bitch Mob lashes out at the lack of trap drums and celebrity-based adlibs.
 
Stopped Talkin’ But I Still Rap
“So self-conscious, you feel me?”: Despite the approval of his comrades, the BasedGod is unable to shake the ever-persistent sense of self-hatred that is being exacerbated by the actions of the Bitch Mob. He feels his mind regressing to a prior state of fear and insecurity akin to that of his days spent in isolation in the Cathedral. Deep inside, the Hunchback finds himself in the midst of an existential crisis: how can one speak on the benefits of positivity and self-love when one does not truly love thyself? What would the consequences be of allowing this negativity to manifest itself in real time? Surely, an admission of hopelessness would spell defeat for the Task Force, allowing Lil B and his army of pretty townsfolk to rule the land for all eternity. But it would also be hypocritical for the BasedGod to continue to preach the Gospel of Based when his mind is not in a based state of being. In a move that would prove to be one of the most shocking of the Cold War, the Hunchback gathers his followers in the town square to announce that he will be taking an oath of silence until peace can be found between the two factions of New BasedWorld, capping off his decree with the debut of his ‘final’ song, “Stopped Talkin’ But I Still Rap”. The crowd gasps and devolves into hysteria, with thousands pleading for the Hunchback to reconsider, rightly worried over what would become of the based movement without the voice of its sole originator. But the BasedGod is persistent. He silently walks through the crowd, hugging each of his based brethren (and consensually face-fucking some of the females) before departing, possibly for good. Some time after midnight, he successfully crosses the Based Bridge and returns to Old BasedWorld, making his way back to the Cathedral without a single soul noticing his presence. He travels to the deepest, darkest depths of the Cathedral’s caverns, located miles beneath the Earth’s surface, where he begins an indefinite period of contemplation and meditation. This sequence of events would prove to be a milestone of the BasedWorld Revolution™, and would be forever immortalized in the cover art for the Where Did the Sun Go? mixtape.
 
Intermission
It was a bad time for both Old and New BasedWorld. The Hunchback just stayed inside his Cathedral and he never came out. People said his brain was infected by fake based devils. The Task Force hurt the most of all: without their leader, they crumbled and succumbed to the will of the Bitch Mob. Lil B’s tyrannical rise to power was all but complete. In the months that followed, he would expand his territorial control, conquering the villages of Albany and East Oakland and even sending troops to claim regions of land as far away as Hawaii and Nepal.
 
Nearly a full year after the disappearance of the BasedGod, Lil B’s armies waged war on Old BasedWorld. The BasedWorld Bridge was destroyed, leaving Lil B and his followers (who controlled the naval fleets) as the only ones who had access to both sides of the territory. After taking most of its citizens hostage and establishing a new structure of government with Lil B at the helm, the Bitch Mob began to formulate its Ultimate Bitch Plan to capture the Hunchback. One night, they rushed the Old BasedWorld Cathedral, setting it ablaze and burning the once-iconic structure to the ground in the hopes of finding the charred body of the BasedGod buried underneath the rubble. When they failed to retrieve the body, the contingent of pretty boys and girls was ordered by Lil B to venture underground, as an ancient prophecy had foretold the Hunchback’s journey to the center of the Earth. Armed with assault rifles of all varieties, they began their descent into the depths of the caverns.
 
However, the deeper they traveled, the more they became disillusioned by their actions, and the actions of their once-beloved leader Lil B. They did not realize that the closer they got to the Hunchback, the more they were swayed by his righteousness and his way of being. Soon, they were no more than a few hundred yards from locating the BasedGod. It was at this moment that they had a great awakening, recognizing the error of their ways and freeing themselves from the spell that had been placed on them by Lil B. They abandoned their mission, instead choosing to return to the surface without the Hunchback. Lil B, furious at the group’s reluctance to complete their task, began to chastise his former followers, and prepared to issue one of his infamous curses upon them, one which would result in certain death. Having become completely overwhelmed with the guilt and the shame of their exploits as part of Lil B’s army (and also acknowledging the fact that none of them would ever win an NBA championship now without signing to Golden State), they instead turned the guns Lil B had given to them on themselves, committing mass suicide on top of the remains of the Old BasedWorld Cathedral. Thousands of Old BasedWorld onlookers stared in paralyzing shock as the sound of hundreds of guns discharged at once. What followed was several hours of silence, as Lil B, covered in the blood of his former troops, coldly stared at the mass of dead bodies, trying his best to process what had just taken place.
 
 

EPISODE IV: A NEW HO(PE)

 
The Waterfront West Berkeley at Night
Meanwhile, on the other side of the Bay, most of the former Task Force members still remaining in New BasedWorld have all but accepted their fates, purchasing clothing that is too tight for them to wear comfortably and listening to the government-approved “Cooking Music” playlist on a constant loop. A small contingent of Hunchback loyalists remain, holding private meetings in the basement of the Café Au Coquelet and listening to the “Based Music” playlist in shrouded secrecy. Upon learning that Lil B and a commission of his troops had left to invade Old BasedWorld, the few remaining Task Force members felt it was safe enough to worship the Hunchback out in the open one last time. As most of the Bitch Mob members who had crossed the BasedWorld Bay with Lil B had come from the village of West Berkeley, the BasedGod’s loyal comrades choose the village’s Waterfront area as the gathering place for the ceremony. Unbeknownst to any of the group’s members, the mass suicides in Old BasedWorld were taking place at the exact same time as the celebration in New BasedWorld was commencing. The Task Force members rejoice, harmoniously singing the BasedGod’s favorite songs of worship: “B.O.R. (Birth of Rap)”, “The Age of Information” and “No Black Person Is Ugly” are belted out towards the heavens. Suddenly, the youngest of the Task Force’s members (who goes by the name of u/insabnma) feels a twinge underneath his bare feet. He looks down at the ground and notices that he has stepped on a golden USB drive, encrusted with diamonds and embroidered with the word “BASED” in all caps. The curious group of based boys and girls procure a laptop and, upon plugging the drive in, are amazed to find a .zip folder of 13 unreleased instrumentals credited as being produced by the BasedGod. Even more amazingly, the first song is entitled “The Waterfront West Berkeley at Night”: the exact place and time of day that they are performing their ritual. The Task Force members ecstatically listen to the new music, with several being driven to the point of involuntary orgasm. Throughout the night, word spreads throughout New BasedWorld of the drive’s existence, and suddenly, the followers of the Hunchback have a renewed sense of hope.
 
Games of Berkeley and Magic Cards
The next evening, thousands of Task Force members, old and new, join together in the town square of Berkeley, the last place that the Hunchback was seen alive. A Task Force party has commenced, with various games being played and the Based Music playlist blasting from the colony’s speakers. As it is nearing midnight, the townspeople are each given a magic life card, rumored to be the same life cards that were discussed in the BasedGod’s legendary philosophical diatribe [“Life on Earth”](). At the stroke of 12, the second of the BasedGod’s 13 secret instrumentals is played, as the crowd enthusiastically chants “Thank You BasedGod” along to the beat. The expectation is that the Hunchback will hear their prayer and reemerge by the end of the song. However, this was not to be the case: the instrumental ends, with the BasedGod nowhere to be found. For a moment, the Task Force is disheartened, wondering if the signs pointing to a return of the Hunchback were too good to be true. Then, seemingly out of nowhere, a shooting star flies across the Berkeley sky, the brightest and most brilliant star that anyone in the colony has ever seen. It continues to arc across the northwestern skyline and appears to land in the village of Albany, a formerly based territory which has been overrun with members of the Bitch Mob. The Task Force is again filled with a renewed sense of hope at this discovery, as they courageously follow the signs that could lead them to the Hunchback’s holy ascension.
 
Walking Through Albany California
Upon arriving in Albany, the Task Force members notice a contingent of Bitch Mob members huddled around a large crater, approximately one mile in diameter. Evidently, this is where the shooting star had landed. One of the senior members of the tribe is examining the star, which, contrary to its once large and brilliant appearance, has been reduced to the size of a small rock. Several Bitch Mob members now make their way into the crater to examine the fallen star. Then, seemingly out of nowhere, the once-dead star explodes into thousands of pieces, each piece shooting out towards the heads of a Bitch Mob member (though some less fortunate members wind up getting hit in the balls). When the star touches each member, it instantly uploads the third of the BasedGod’s secret instrumentals directly into their cerebral cortex. The Bitch Mob members are at first displeased at the lack of poorly mixed 808s and rattling hi-hats, but soon after, they begin to comprehend and enjoy the BasedGod’s alternative production style. Once the song has finished, they have all been converted into full-fledged comrades of the Task Force. The Berkeley delegation of Task Force welcomes their new brothers and sisters into the fold, and the group marches on to spread the word of the Hunchback’s return to the other villages.
 
The Sound of Being Bullied
While this is all occurring in the BasedWorld territories, something else entirely is beginning to unfold in the far away kingdom of Detroit, Michigan. Teejay Witherspoon, the Bitch Mob’s certified rarest hacker, leans back in his chair and slyly grins. His successful exploitation of the BasedGod a year ago has proven to be a major turning point in the young man’s life. His notoriety has allowed him to start a rap career of his own, with several music videos on YouTube having gone viral throughout the past 12 months. His loyalty to the Bitch Mob has been unquestioned, and he has since been promoted to a senior position within the fold. As he clicks his way through a darkweb laundering scheme one evening, he leaves to take a shit and, upon returning to his computer, notices that a mysterious golden USB drive has been plugged into the laptop. Only one file exists on the drive: an audio file entitled “The Sound of Being Bullied.flac”. Teejay curiously loads the file into VLC, and the instant the song begins, he is assaulted with a rush of crushing despair and depression. The title of the song spoke for itself. Teejay is experiencing the totality of the Hunchback’s negative emotions that had been fueled by his prior actions, but even more intensely, and as the emotions begin to amplify, he next notices that his physical being is being affected as well. His body is shaking uncontrollably, his skin is beginning to peel, his eyes are popping out of his skull. After four minutes and seven seconds of agonizing torture, his entire being bursts into flames, unable to handle the power of the BasedGod’s wrath. The song ends.
 
No Longer Afraid of the Dark
It’s dark. The air is still. The ground is hot. Water drips from the ceiling. The Hunchback, in a deep state of reflection, hasn’t moved a muscle for over 12 months. His shriveled body has been starved of nourishment and exercise, but fortunately, his weight gain has had the positive effect of having enough fat stored to keep him alive. The amount of based energy needed to have maintained this state of being has aged the BasedGod considerably. He has been devoid of almost any sense of perception for at least a few months. A faint glow radiates from his being. He has concentrated his powers to what was thought to be an unattainable degree of positivity. Before his extended withdrawal from society, the negative side of the force was something that the Hunchback struggled to put out of mind. At the level of based he now encompasses, the light of positivity is too grand for the BasedGod to fail. He is no longer afraid of the dark. And that’s because the dark no longer exists. The cavern has been filled with his based radiance. And the Hunchback is almost ready to return and spread this radiance throughout the land.
 
Nepal Wants the BasedGod
All across BasedWorld, shooting star sightings have been abound, and thousands upon thousands of Bitch Mob members have been converted to Task Force faithful. Even beyond the traditional confines of BasedWorld, rare star sightings have also been seen in the Bitch Mob’s disparate properties. A star lands in the Bitch Mob’s Nepalian expansion territory. After having its people cleansed with the power of the BasedGod’s sixth secret instrumental track, Nepal adopts a new constitution which entails all of its citizens to embrace the Hunchback’s teachings of optimism and self-love.
 
Taxi Around Town
The streets of Old BasedWorld have been in dire need of repair ever since the Bitch Mob ransacked the colony, but that doesn’t stop Travis, one of the land’s only remaining horse-drawn taxi drivers, from making a buck. One evening, he picks up a mysterious hooded figure in one of the town’s more dangerous districts. The man enters the carriage, greeting the driver with two words: “Hello, Travis.” The driver says nothing. The horses begin their trek through the streets, passing by a row of burning buildings. Travis breaks his silence. “It’s lit,” he says. “The buildings, that is. There’s only a few Bitch Mob members left at this point but they always blow these things up.” The figure feels more comfortable speaking to the driver: “I hear you got the nomination”. It dawns on Travis that this person must be almost exactly one year behind the times: has he ever even heard of Cardi B? Regardless, he plays along. “Straight up. Won’t be long now.” The figure smiles, quipping, “Well, I hope you win.” He then proceeds to remove his hood. Travis looks back and momentarily gasps. His composure returns soon thereafter. Unsure of how to proceed, he attempts to continue the conversation. “I… I read about you in the papers… How are you?” Knowing he’s referring to the suicides, the figure replies, “Oh, it’s nothing new, I got over that.” They sit in silence for the remainder of the ride. Soon, the horses come upon their destination, the edge of the BasedWorld Bay. The figure gets out of the car. Turning to Travis, he asks, “How much was it?” Travis is nearly speechless. He lets out one final Auto-Tuned “So long………..LA FLAME!” and the horses gallop off.
 
Berkeley California Before Lil B
A massive cleaning project has commenced throughout Berkeley. The townspeople have nearly all been converted to followers of the BasedGod by this point, and in a unanimous vote, the colony’s leaders choose to rid Berkeley of any and all trace of Lil B and his formerly effective propaganda. Murals are whitewashed, statues are torn down, and portraits are removed from public spaces as the eighth of the BasedGod’s 13 secret instrumentals is played on a loop. The many books proclaiming Lil B’s omnipotence are collectively burned to ash in the town square. Even saying the name “Lil B” is punishable by fine of up to $30,000, equivalent to the amount of money Lil B had charged for features (in contrast to the Hunchback’s extremely generous $0.01 minimum fee for a verse). The townspeople are once again a tight-knit unit of based human beings living their best lives. It was just like Berkeley California before Lil B.
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온카지노 붐카지노 더블업카지노 카지노사이트 바카라사이트

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Hard Rock Hotel & Casino Sioux City in Iowa has enhanced its existing sports betting offering

with the recent launch of a mobile sportsbook. Read 바카라 사이트

https://preview.redd.it/6z3mm2y3dwm51.png?width=300&format=png&auto=webp&s=21148313a4b95647f418cd0cf873e79eaaebbf8b
Just like its retail sportsbook, which welcomed its first bettors in September
the mobile solution is powered by European gaming and wagering technology provider Gaming Innovation Group (GiG).

This week’s launch of the mobile sportsbook was completely in line with Hard Rock and GiG’s plans to

roll-out the app in the fourth quarter of the year.

Commenting on the latest milestone in GiG’s US expansion campaign the company’s Chief Information Officer

Chris Armes, said that their Iowa mobile sportsbook went live

“온카지노 after many weeks of hard work from both GiG and Hard Rock.”

Iowa legalized sports betting over the summer. In August, the state Racing and Gaming Commission gave the green light to 더블업카지노 to offer retail, desktop

and mobile wagering to customers aged 21 or over and located within the state’s borders.

Hard Rock Sioux City launched its GiG-powered 카지노사이트 in September, about a month after the first legal bet was accepted in Iowa.

The opening of the sportsbook at the Sioux City property extended Hard Rock and GiG’s cooperation

which was originally 바카라사이트

Iowa Sports Betting Growing Nicely
Iowa saw a 27.5% increase in wagers in November, according to information from state regulators. The state’s sportsbooks, both retail and digital, handled $59.3 million in bets last month.

More than half the total betting handle in November came from online bets.

State bettors wagered more than $33.7 million through desktop and mobile devices

while retail sportsbooks handled about $25.7 million in wagers on a number of sports.

William Hill-powered Prairie Meadows Racetrack & Casino was once again the top performer in terms of bets placed with its retail and digital sportsbooks.

The gambling venue processed nearly $20.6 million in wagers last month, of which $19.1 million were placed online.

Betting revenue in the state amounted to $3.6 million in November. The majority came from Iowa’s sports betting facilities. Retail revenue totaled $2.067 million, while digital revenue amounted to $1.5 million last month.

Hard Rock’s Sioux City property handled nearly $1.7 million in bets in November, which translated to revenue of $171,018.

Hard Rock’s property in Iowa was the second one to go live with sports betting following the launch of its GiG-powered wagering operation in Atlantic City early this year.

Under the terms of the deal between the European tech supplier and the Florida-based casino and hospitality company

they are set to open more sportsbooks and roll out betting apps in more states as sports betting gains more and more traction in the United States.
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New Music Friday: January 10th, 2020

New Music Friday is a new weekly thread dedicated to chronicling all the Album/EP releases that came out this week. This is also a great place to discuss these albums, or bring to our attention other albums released this week.
Alexandra Savior - The Archer
Label: 30th Century Records
Genre: Indie Pop, Psychedelic Pop
The Big Moon - Walking Like We Do
Label: Fiction Records
Genre: Indie Pop, Synthpop
Beach Slang - The Deadbeat Bang of Heartbreak City
Label: BRIDGE 9 RECORDS
Genre: Punk Rock, Alternative Rock
Field Music - Making a New World
Label: Memphis Industries
Genre: Progressive Pop, Art Pop
Circa Waves - Happy
Label: Prolifica
Genre: Indie Rock
Sore Eros - Sore Eros
Label: Feeding Tube Records
Genre: Psychedelic Rock, Dream Pop
Hello Seahorse - Disco Estimulante
Label: self-released
Genre: Synthpop, Dream Pop
Public Memory - Illusion of Choice (EP)
Label: felte
Genre: Darkwave, Trip Hop
Big Baby - Fizzy Cola (EP)
Label: Hidden Bay Records
Genre: Indie Pop, Jangle Pop
Sister Anne - Left Behind (EP)
Label: self-released
Genre: Post-Hardcore, Punk Rock
The Adobe Collective - All the Space That There Is
Label: Love Sands Records
Genre: Rock
ThunderStars - Number Stations
Label: Mariel Recording Company
Genre: Dream Pop, Shoegaze
The Tissues - Blue Film
Label: self-released
Genre: Post-Punk, Shoegaze
Poppy - I Disagree
Label: Sumerian Records
Genre: Alternative Metal, Nu Metal, Dream Pop
The Electric Soft Parade - Stages
Label: Chord Orchard
Genre: Indie Rock, Psychedelic Pop
Vyva Melinkolya - Violet (EP)
Label: self-released
Genre: Ethereal Wave, Neo-Psychedelia, Shoegaze
VANT - Conceived in the Sky
Label: Go! Entertainment
Genre: Pop Rock
Winona Oak - Closure (EP)
Label: Atlantic
Genre: Singesongwriter
Easy Life - Junk Food (EP)
Label: Island Records
Genre: Indie Pop
Roniit - XIXI
Label: 1069337 Records DK2
Genre: Ambient Pop, Electropop
Gaarden - The Fall
Label: Library Group
Genre: Dream Pop, Indie Rock, Shoegaze
The Just Joans - The Private Memoirs and Confessions of The Just Joans
Label: Fika Recordings
Genre: Twee Pop, Indie Pop
Moon Hooch - Life on Other Planets
Label: self-released
Genre: Electronic, House
Leandro Fresco and Rafael Anton Irisarri - Una Presencia En La Brisa
Label: A Strangely Isolated Place
Genre: Ambient, Drone
Primary Mystical Experience - Space Dust
Label: Aural Canyon
Genre: Ambient, Drone
Roofers Union - The Mantle
Label: self-released
Genre: Indie Rock, Indie Pop
Cory Wong - Elevator Music for an Elevated Mood
Label: Cory Wong
Genre: Jazz-Funk, Jazz Pop
Theo Katzman - Modern Johnny Sings: Songs in the Age of Vibe
Label: Ten Good Songs
Genre: Pop Rock, Blue-Eyed Soul
The Rare Forms - The Rare Forms
Label: Casino Trash Records
Genre: Punk Rock, Hard Rock
Selena Gomez - Rare
Label: Interscope Records
Genre: Electropop, Dance-Pop, Contemporary R&B
Georgia - Seeking Thrills
Label: Atlantic Records UK
Genre: Electropop, Synthpop
Echosmith - Lonely Generation
Label: Echosmith LLC
Genre: Pop Rock
Mick Jenkins - The Circus
Label: Cinematic Music Group
Genre: Conscious Hip Hop, Jazz Rap
Pressure Cracks - This Is Called Survival (EP)
Label: War Against Records
Genre: Post-Hardcore
Apocalyptica - Cell-0
Label: Silver Lining Music
Genre: Symphonic Metal
Craven Faults - Erratics & Unconformities
Label: The Leaf Label
Genre: Progressive Electronic, Ambient
Brothers Of Metal - Emblas Saga
Label: AFM Records GmbH
Genre: Power Metal, Heavy Metal
Dragged Into Sunlight - Terminal Aggressor II (EP)
Label: Prosthetic Records
Genre: Dark Ambient, Death Doom Metal
Haunt - Mind Freeze
Label: Shadow Kingdom
Genre: Heavy Metal, Speed Metal
Aiming For Enrike - Music for Working Out
Label: Pekula Records
Genre: Math Rock, Synthwave
Sylvaine & Unreqvited - Time Without End (Split EP)
Label: Prophecy
Genre: Post-Rock, Post-Metal
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What's Happening in CT 2/20/20 - 2/23/20

Thursday, February 20th, 2020:

Friday, February 21st, 2020:

Saturday, February 22nd, 2020:

Sunday, February 23rd, 2020:

Find more things to do in CT here!
Check out a newly released movie such as:
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Critic's Criticisms Part III: Length

No good movie is too long and no bad movie is short enough.
-Roger Ebert
The length of TLJ was the most common criticism by far, with 50% of RT Top Critic's citing it as a problem. Thus, this is the longest entry of this series, and possibly the last, unless I do a smaller part on niche issues. Previous parts cover Humor and Canto Bight.
The movie is overstuffed with plot, and by the time the visually intoxicating and eye-popping last showdown happens, it feels like a set piece that should have been saved for the next film. At a whopping two hours and 32 minutes, “The Last Jedi” overstays its welcome just a tad.
Katie Walsh, Tribune News Service - Fresh
Writer-director Rian Johnson steps into the franchise fray and does a creditable, if uninspired, job. At about 2-1/2 hours, it’s a long sit.
Peter Rainer,Christian Science Monitor - Fresh
Rian Johnson delivers a film that’s a bit too long at 2½ hours
Calvin Wilson, St. Louis Post-Dispatch - Fresh
Does the movie, like its predecessor, rely on familiar tropes a bit more than it should? Yes, I think it does. Is it, at a solid two-and-a-half hours, considerably longer than it needed to be? Yes, that too.
Christopher Orr, The Atlantic - Fresh
It’s simply too long at two hours and 36 minutes – and sometimes too damn much. The screen is so crowded with character and incident that you might need a scorecard to keep up.
Peter Travers, Rolling Stone - Fresh
The problem is that the narrative threads connecting them are lazily knitted and sometimes tangled or broken. The overall plot is underwhelming and there’s far too much padding, especially during the first hour. There’s a sense that Johnson is giving busy-work to certain characters while others are catching up. The Last Jedi is a great 105-minute movie stretched too thin.
James Berardinelli, ReelViews - Fresh
The midsection sags and, other than the heroes’ desperate attempts to survive, there’s no central story line to pull the various satellites of action in its wake. Some of the characters, like Captain Phasma, get frustratingly little screen time.You feel the 2½-hour length at points.
Ty Burr, Boston Globe - Fresh
The movie, though - at 152 minutes, easily the lengthiest in the series - drags in the middle, particularly when Rose and Finn go off on a complicated mission to disable an enemy tracking device. The subplot not only goes nowhere, it takes forever to do so, and makes me wonder if this new trilogy is going to have the same problem as the prequels - material for two terrific films stretched out over three.
Stephen Whitty, Newark Star-Ledger - Fresh
The film’s paunchy middle section includes a trip to a casino that might better have ended up on the cutting-room floor. The unnecessary padding accounts for the 152-minute running time, a franchise record, which will test the patience (and bladders) of even the most devoted followers.
Peter Howell, Toronto Star - Fresh
Nor is its frankly excessive 152-minute running time. There is no excuse for a long, inessential stampede of runaway space horses that has zero value beyond the sheer "Ben-Hur" spectacle of the thing.
Colin Covert, Minneapolis Star Tribune - Fresh
Johnson's many additions become too much of a good thing and The Last Jedi grows crowded, busy and long. Johnson's dialogue is flat and sounds stilted in the mouths of his younger actors, while their comic delivery can be so offhand that it dismisses the jokes.
Kate Taylor, Globe and Mail - Rotten
The film simply drags too much in the middle. Somewhere in the film’s 152-minute running time is an amazing 90-minute movie.
Chris Nashawaty, Entertainment Weekly - Fresh
Johnson at times overreaches trying to balance these separate storylines and myriad of characters into one cohesive unit. Lupita Nyong’o has nothing to do in her glorified cameo appearance, while the Del Toro section fails to reach its potential. The result is a bloated running time of about 2 ½ hours — that includes about seven different points in which I was sure the movie was going to end only to see it continue to plow ahead. You always want your Star Wars films to move at light speed, not drag in the middle.
Mara Reinstein, Us Weekly - Fresh
At other points in the 152-minute film, time should have been compressed, and wasn’t. The storytelling bogs down in a middle section having to do with finding a code-cracker who can gain access to an enemy destroyer. (A dubious character played by Benicio Del Toro isn’t sufficiently amusing.) Kylo’s inner conflicts, while central to the plot, leave him looking awfully mopey for long periods of time as he struggles to resolve them.
Joe Morgenstern, Wall Street Journal - Fresh
With a running time of two and a half hours, “The Last Jedi” drags a bit in the second act. Ridley and Hamill are great together, but the Reluctant Jedi act plays on for at least one scene too many.
Richard Roeper, Chicago Sun-Times - Fresh
Johnson’s effort is ultimately a disappointment. If anything, it demonstrates just how effective supervising producer Kathleen Kennedy and the forces that oversee this now Disney-owned property are at molding their individual directors’ visions into supporting a unified corporate aesthetic — a process that chewed up and spat out helmers such as Colin Trevorrow, Gareth Edwards, Phil Lord and Christopher Miller. But Johnson was either strong enough or weak enough to adapt to such pressures, and the result is the longest and least essential chapter in the series.
Peter Debruge, Variety - Fresh
Unfortunately, The Last Jedi has almost as much Attack of the Clones as it does The Empire Strikes Back in that it’s overlong, under-edited and has at least one particularly long-winded CGI flurry of a sequence that harkens back to the darkest days of the franchise. There’s no whining about sand getting everywhere and the acting is really strong across the board (Hamill is particularly great back in Jedi robes, ham and all) but The Last Jedi could definitely have used a second editorial pass.
Matt Oakes, Silver Screen Riot - Fresh
At 2 1/2 hours, Star Wars: The Last Jedi could have been tightened-up in the editing room, cutting out that bloated middle section and removing things like Maz Kanata’s cameo and the cute slave kids which feel like they dropped in from a totally different movie. When it works, it really works but when it doesn’t, it feels like bad fan-fiction with a million dollar budget.
Niall Browne, Movies in Focus - Fresh
I can only wonder what The Last Jedi might have been with Finn and Poe taking a backseat (like how the latter was absent for three-quarters of The Force Awakens) so thirty minutes could be cut and the “important” stuff made tighter. Because there is a great film within what’s ultimately a good one.
Jared Mobarak, BuffaloVibe - Fresh
Whereas the first half is a sort of a convoluted mess just for the sake to pad out the runtime especially with an inconsistent tone, "The Last Jedi" becomes a dark and exciting sequel that becomes the film you've been looking for by the 75-minute mark.
Rendy Jones, Rendy Reviews, Fresh
the film is probably 10-15 minutes too long. Yes, Snoke (Andy Serkis) was not given near enough explanation and Phasma (Gwendoline Christie) was wasted.
Robert Daniels, 812filmreviews - Fresh
It's a two-and-a-half hour movie. It needs to be good in its own right, not just setting up for the next episode.
Tony Baker, Tony Baker Comedy - Rotten
Johnson ends up biting off more than he can chew. He's juggling too many storylines, and takes too long to move the narrative forward. Fatigue sets in about three-quarters of the way in. He doesn't heed the lesson of the chapter “Jedi” often resembles, “The Empire Strikes Back.” That film, still the best “Star Wars.,” ended with a whopper of a cliffhanger. Johnson resists the urge to leave most of his strands unresolved, and as a result his film begins to feel unwieldy when it should be picking up momentum. At two and a half hours, it could have used a trim of at least 15 minutes.
Ruben Rosario, MiamiArtZine - Fresh
but there are problems with the first half of "The Last Jedi." After an exciting initial space battle, to say that the mid-section of the movie drags would be an understatement. First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.
Tom Santilli, AXS.com - Fresh
Star Wars: The Last Jedi is also, at two hours and thirty-two minutes, the longest of the nine movies thus far, and deep into the second hour it can feel a little draining. There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.
Rob Gonsalves, eFilmCritic.com - Fresh
At times it burns a tad too slow: two-thirds through its jam-packed 152 minutes, I felt the need for a 7th-inning stretch.
Michael Sragow, Film Comment Magazine - Fresh
Aunque este clímax habría funcionado bien como final, “The Last Jedi” no termina (desafortunadamente) después de esto. Es seguido por otros 40 minutos, con baches, en los que los héroes se reúnen y tienen que pelear una batalla final. Sin embargo, la película pierde un poco de su trazabilidad aquí, cuando los personajes, las fuerzas y las explosiones siempre aparecen exactamente donde se necesitan para la trama.
Ruben Peralta Rigaud, Cocalecas - Fresh
The movie’s main failing is that it tries to stuff too much plot into its over-long 2 hour and 30 minute run time. The result is an ending that feels endless and anti-climactic while several elements that could have been gob-smacking feel rushed and underdeveloped. It particularly does a disservice to Kylo Ren, as we’re never quite sure what his motivation is.
Megan Basham, WORLD - Fresh
I both loved it and strongly disliked it at the same time. I feel like there's a really great movie in there, all the pieces are there, everything is brilliant, but then there's a lot of extra fat that needed to be trimmed off or rearranged or omitted completely.
Steph Cozza, Aggressive Comix - Fresh
At two-and-a-half hours, with about nine separate cliffhanger endings, it’s a bit long
Bill O'Driscoll, Pittsburgh City Paper - Fresh
If you can accept the excess, the weird humour, the entirely inessential subplot, and the fact that it could stand to end a scene earlier, then the series will continue to thrive in a galaxy far, far away.
Alex Doenau, Trespass - Fresh
The script is flabby; every scene has purpose, but certain aspects feel overlong and jarring. Just like Lord of the Rings: Return of the King, it also suffers several endings too many.
Owen Richards, The Arts Desk - Fresh
At two and a half hours, this is the longest Star Wars picture to date, and I wondered if they’d tried to pack too much in.
Molly Laich, Missoula Independent - Fresh
I’m saying some of this movie seems a little half baked, and also overstuffed. If there’s any kind of movie I want to be over two and a half hours long, it’s a Star Wars movie. But, at that length, it needs to be a really good Star Wars movie, not a so-so one. The Last Jedi is so-so.
Bob Grimm, Reno News and Review - Fresh
The Last Jedi has a few good ideas but these are utterly lost amidst an over-long and utterly unsatisfying overall plot. Replete with poor dialogue, irritating tonal shifts and superfluous scenes, The Last Jedi adds very little to the saga except an overwhelming sense of disappointment not felt since the release of The Phantom Menace.
Richard Dove, International Business Times - Rotten
It is more than 150 minutes long. It has too many plot twists and too much fighting and too many characters.
Mark R. Leeper, Mark Leeper's Reviews - Fresh
Many have complained or commented on the length of The Last Jedi. It did start to feel long towards the end, yet I don’t think it was due to the actual time stamp of the film. Instead, I believe it is because of the drawn out plots within the film itself. Many parts of the story are over showcased destroying the strength and believably in the plot.
Stephanie Archer, Film Inquiry - Fresh
This film did not need to be 152 minutes and should have been closer to the 120 minute standard established by the earlier films. I hope one day we’ll see a fan cut that is actually closer to two hours.
Chris Gore, Film Threat - Fresh
The Last Jedi is still overstuffed, slightly too long, reliant on some vaguely-defined powers, and mostly consists of an endless chase towards a shifting MacGuffin.
Vincent Mancini, FilmDrunk - Fresh
The Last Jedi is 50 fucking minutes too long, and the most excruciatingly boring movie that has ever been released in this franchise. And this is a franchise that once opened up a movie by talking about controversial tax legislation.
Tim Brayton, Alternate Ending - Rotten
The Last Jedi has some issues. Pacing is the biggest one. This is the longest Star Wars film so far, and it feels like it. Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag.
Chris Evangelista, Slashfilm - Fresh
While Luke leads the Force thread, the battle between good and evil, the rest feels a bit standard issue action film lurching through one, or two, too many cycles of near peril. This is in part down to writer-director Rian Johnson and also down to patchy leads.
Aine O'Connor, Sunday Independent (Ireland) - Fresh
Writedirector Rian Johnson’s movie is underwhelming. Where it falters is a story that borrows heavily from others in the franchise like The Empire Strikes Back. That I can live with, but I can’t live with unnecessary length. This is an overdone 2 1/2 hour movie that would have been a terrific 90-minute extravaganza.
The first hour drags. The predictable second hour is just as tedious in more spots than not before Johnson finally moves you to the even more predictable slam bang action of the last half-hour.
Gary Wolcott, Tri-City Herald - Fresh
At 152 minutes, The Last Jedi is the longest of the nine Star Wars films to date — it’s also the only one where the length is felt. While all the scenes involving younglings should have been deep-sixed, the rest of the fatty tissue can be forgiven, since it simply meant Johnson wanted to make sure fans were saturated and satisfied. Yet there aren’t many vignettes that couldn’t have benefited from a judicious trim here or there.
Matt Brunson, Creative Loafing(Charlotte) - Fresh
At 2 hours and 32 minutes, the longest ever in the series, there are lots of highlights and probably a few too many endings
Pete Hammond, Deadline Hollywood Daily - Fresh
Despite the Rey-Luke drama, the first half of The Last Jedi is its most lumbering and uneven, never really clicking as it rambles through its multiple plotlines in a manner that feels simultaneously rushed and overlong.
James Kendrick, Q Network Film Desk - Fresh
However, there are moments towards the end of the film that feel as though they are just a tad unnecessary, that the race to the finale is going on just a little too long.
Irene Falvey, Film Ireland Magazine - Fresh
So what's necessary to know about the 40th anniversary "Star Wars" is that, at two and a half hours, it's at least a half-hour too long (maybe 45 minutes) and it's overfull of the usual digital battle sequences which so many of us have come to consider a wee bit old hat in the decades since "Star Wars" introduced us to a new thing back in 1977.
Jeff Simon, Buffalo News - Fresh
Johnson has sorted all of this material into an elaborate roundelay that feels endless (the movie is way too long at two and a half hours). Surely sections of the film could have been trimmed—maybe the Laura Dern scenes, which cry out for compression, or the training sequences with Luke and Rey (in which he says things like "Reach out with your feelings").
Kurt Loder, Reason Online - Fresh
The film is long, however, and begins to feel more than a little labored by the time the various epic showdowns finally take place.
Piers Marchant, Arkansas Democrat-Gazette - Rotten
A lot of “The Last Jedi” is engrossing and emotional—but there’s also the long runtime, uneven pacing, and slightly underdeveloped characters to deal with. “The Last Jedi” is often exceptional, but its desire to do too many things, tell too many stories, and continue expanding its own cast and narrative makes the film fundamentally imbalanced.
Roxana Hadadi, Chesapeake Family Magazine - Fresh
There is a great deal going on in The Last Jedi and the way it splits off the main characters into separate but intertwined stories makes for a long, over-plotted film that even starts to drag a little in the middle.
Allan Hunter, Daily Express (UK) - Fresh
A few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.
Christopher Machell, CineVue - Fresh
If “The Last Jedi” has a main flaw it’s that it’s too long at just over two-and-a-half hours. When the film is cross-cutting between the escape of the Resistance and the showdown with Snoke, one might assume this was the climax of the film. In fact, there’s much more to come.
Daniel M. Kimmel, New England Movies Weekly - Fresh
At 152 minutes, "Star Wars: The Last Jedi" is too long, and could have been trimmed by at least 10-15 minutes.
David Kaplan, Kaplan vs. Kaplan - Fresh
Despite being overlong and drenched in déjà vu (replete with conversations about one’s parents, whether or not one will ‘turn’, whether one is the last hope or the new hope, etcetera etcetera) I appreciated a lot of The Last Jedi, in the same way I appreciate re-reading a decent book – respecting the structure and craft of it, and feeling no sense of surprise.
Luke Buckmaster, The Daily Review/Crikey - Rotten
At 152 minutes, “The Last Jedi” is probably 20 minutes too long yet never fails to entertain.
Maria Sciullo, Pittsburgh Post-Gazette - Fresh
If some of these detours drag on a bit, hampering momentum and bulking up The Last Jedi’s not-entirely-necessary two-hour-and 32-minute runtime, well, at least the various locales are fun to look at.
Rebecca Pahle, Film Journal International - Fresh
a running time of 152 or so minutes that easily could have been tightened down quite a bit
Jim Judy, Screen It! - Fresh
While many complained – justifiably – that the previous entry, The Force Awakens, was nothing but a remake of 1977’s A New Hope, the same sort of narrative déjà vu is at play here, to a certain degree. Equally troublesome is Jedi’s bloated running time. Clocking in at 2 ½ hours, the movie seems longer than it actually is due to the fact we’re going over well-covered narrative territory.
Charles Koplinski, Illinois Times - Rotten
It’s too long by a good 30 minutes, feels like two films mashed together, has about five endings and it seems to be taking cues from the George R. R. Martin school of right-angled plot twists.
Patrick Kolan, Shotgun Cinema - Fresh
Overly long and consistently clunky, The Last Jedi ultimately proves a bit of a mixed bag. Too often the dialogue is exposition heavy and played for easy laughs.
Tom Glasson, Concrete Playground - Fresh
The Last Jedi is overlong, heavy-handed and fun if mostly uninspired.
James Verniere, Boston Herald - Fresh
At 151 minutes, the film is overlong and repetition sets in, not just for this film but for the series in general
Laura Clifford, Reeling Reviews - Fresh
The Last Jedi is the party that never wants to end. It keeps going and going – and going – until there is no corner of the house left to decorate. It pushes all the buttons. It is constantly in competition with itself (it comes with two huge ending sequences). It is also baggy in places, and that’s not something I’d expected.
Chris Wasser, The Herald (Ireland) - Fresh
At the same time, it does take a while for “Last Jedi” to get up to speed. Some of the humor feels a little distracting and the lengthy final product suggests a tighter execution might have felt more resonant.
Josh Terry, Deseret News (Salt Lake City) - Fresh
Or maybe it's just a case of "The Last Jedi" itself overstaying its welcome with a running time topping two and a half hours.
Greg Maki, Star-Democrat (Easton, MD) - Fresh
This is the longest Star Wars movie yet, clocking in at 150 minutes, and it has at least one ending too many, and a middle that sags a bit.
Rain Jokinen, MullingMovies.com - Fresh
We’ve seen this story before. Sure, “stuff” happens over the film’s 157-minutes but our main characters remain pretty much in the same place. You’d swear time stands still.
Dana Barbuto, The Patriot Ledger - Fresh
“The Last Jedi” is the longest of the “Star Wars” efforts (152 minutes) and feels it
Brian Orndorf, Blu-ray.com - Fresh
At 152 minutes, it’s also way too damn long. And Rian Johnson should not have been allowed to write and direct. The script is a problem — it has only two really great “moments” which isn’t enough for 152 minutes. But it also doesn’t feel quite right — the language, the iconography, the weirdly campy humor at the beginning — it doesn’t feel a part of the Star Wars universe.
Ray Greene, CineGods.com - Rotten
But the character moments and the explorations of moral ambiguity aren’t quite compelling enough to compensate for the slow pacing in the middle (one thing a Star Wars movie should never be is dull), and it takes too long to get to the most rousing action sequences.
Josh Bell, Las Vegas Weekly - Fresh
I don’t want to be too generous. I would cut 15 minutes out. There are editing choices that leave the film feeling choppy when it should feel smooth.
David Poland, Movie City News - Fresh
In truth, it takes a very long time to get from the film’s exhilarating start to that moving sign-off. Stars Wars: The Last Jedi lasts fully two-and-a-half hours, and there were moments towards the end when I felt like one of those poor Cubans listening to Fidel Castro at the height of his oratorical vigour: just as you’re planning your route to the exit, it lurches into yet another new lease of life.
Brian Viner, Daily Mail (UK) - Fresh
Editor Bob Ducsay moves the individual sequences along with dispatch; it isn’t his fault that at two-and-a-half hours the movie overstays its welcome. That’s the fault of Johnson’s decision to pile climax upon climax as if they were on sale at Screenplays-R-Us, apparently unwilling to jettison any of the ideas he’s had for propelling the story forward.
Frank Swietek, One Guy's Opinion - Fresh
Which leads into another problem I mentioned briefly earlier -- the pacing. Watching the first hour, I had the uncomfortable sense that maybe it needed trimming by about ten minutes or so, and that Rey's and Luke's story kept stalling and going in circles for a while. Then, the pacing in the last hour is so spot-on, it confirms all of those earlier feelings. Adding to the problem is the choice of starting point for the film. I realize kicking off with a more action-driven sequence has benefits, but it felt disorienting since we remember how the last film ended and probably want to pick up that thread first. It was an easy call, I feel, and the film's choice merely confirms my own sense that there was a better option.
Mark Hughes, Forbes - Fresh
The 2 hr and 30-minute runtime really hurt the film. I feel like there are just certain spots throughout the film where it just drags. It hard to pinpoint exactly when and where they occur on just one viewing but I was definitely bored at times.
Scott Menzel, We Live Entertainment - Fresh
“The Last Jedi” suffers from “The Lord of the Rings” syndrome — it seems like it might never end. It also poaches scenes, ideas and moments from “Harry Potter,” “The Hunger Games” and “Guardians of the Galaxy.”
David Frese, Kansas City Star - Fresh
At 152 minutes, “The Last Jedi” runs long, with a bit too much time spent on Ahch-To. And Hamill — who shares the weathered, lion-like look of modern-day Robert Plant — turns in a true love-it-or-hate-it portrayal of an aged Skywalker.
Ross Raihala, St. Paul Pioneer Press - Fresh
At over two-and-a-half hours, the film had me reconsidering if I really needed a Finn v. Phasma fight, or a five-act structure. So consider the urgency. A wordsmith in his own right, Johnson seems to be dumbing himself down here for the sake of the brand. He manages to pose some of the most complex ideas on morality and war this franchise has ever attempted, but is forced to breeze through and cap them off with trite buzzwords.
Conor O'Donnell, The Film Stage - Fresh
The film is overlong at two and a half hours, and you may well catch yourself thinking “this could probably have been cut.”
Jonathan Hatfull, SciFiNow - Fresh
Yes, it’s probably half an hour too long. There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.
Jamie East, The Sun (UK) - Fresh
The middle section loses its shape and is subject to longueurs.
Ian Freer, Empire Magazine - Fresh
The Last Jedi is the longest Star wars movie, and it does feel like it. The third act is a beating drum of moments that each seem like they could be a satisfying climax.
Susana Polo, Polygon - Fresh
Where the film falters is in its pacing. Even jumping between three storylines, there’s a lack of momentum at times as no one is really going anywhere. The Resistance fleet is crawling away from the First Order; Rey is in a stalemate with Luke on Ahch-To; and obviously things aren’t a breeze on Canto Bight. And yet the dramatic tension of the first two storylines hold up intact. The fleet storyline plays like the excellent Battlestar Galactica episode “33” and everything is Ahch-To is great because Johnson is doing some fascinating things with the character dynamics between Rey, Luke, and Kylo Ren. But the Canto Bight stuff is a bit of a drag, and then you feel it in final act of the film where, despite some amazing moments, you can’t shake the feeling that The Last Jedi is probably a bit too long even if it’s difficult to know what to cut.
Matt Goldberg, Collider - Fresh
There's a lot going on - too much. The film could have used a hard edit to lose about 20 minutes or more. Resistance ships explode and the fleet's fuel running low, but it doesn't keep us on the edges of our seats. Poe, Rey and Finn- the new heroes we're supposed to fall in love with - are uncharismatic and bland.
Julie Washington, Cleveland Plain Dealer - Fresh
Star Wars: The Last Jedi is a long work of art that doesn't know when to quit
Scott Mendelson, Forbes - Fresh
If there's a problem, it's only that it's a little too long at two and a half hours (a first for the franchise), which might prove challenging for younger viewers. It turns out you can have too much of a good thing after all.
Matthew Turner, Hero Collector - Fresh
Tran is a rock-solid addition, but here, and elsewhere, one is reminded of the deftness of editing on both (yes, both) previous trilogies. Intercut sequences that moved swiftly in earlier films feel clumsy. Where once the passing of time was cannily implied yet compact on screen in, say, “Empire,” in “Last Jedi,” well ... you can fit a lot of movie into 152 minutes.
Joe Gross, Austin American-Statesman - Fresh
But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn and puckish series newcomer Rose Tico.
Sam C. Mac, Slant Magazine - Rotten
Some tighter editing would have relieved most of my mid-movie tension — as well as my bladder concerns as “The Last Jedi” stretches to an unnecessarily long 151 minutes. If not for that spectacular final act, it would be tempting to refer to it as “The Lasts and Lasts and Lasts Jedi.”
Christopher Lawrence, Las Vegas Review-Journal - Fresh
The Last Jedi is a whopping two-and-a-half hours, and it would have been much improved if an editor had taken a lightsaber to its less crucial sections.
To cut a long story short (and I wish Johnson had cut his own long story short): if you’re getting bored halfway through The Last Jedi, hang on in there. Just when you think it’s about to end, it really gets going.
Nicholas Barber, BBC.com - Fresh
For the first half of a punishingly long film, we repeatedly cut back to Star Wars Island where Rey is begging Luke to train her as a Jedi.
Donald Clarke Irish Times Rotten
There are times, however, when the wow factor and compelling character beats give way to the feeling that Johnson lost the run of himself with the film's duration, and that the longest adventure in Star Wars history really didn't need that distinction.
Harry Guerin, RTÉ (Ireland) - Fresh
Several characters remain underdeveloped, and appear as well dressed plot devices which contribute to an unevenness hard to justify in the 151 minutes running time.
Jon Lyus, HeyUGuys - Fresh
Even Johnson’s sense of fun and mischief can’t sustain the film for two-and-a-half hours; the warring gets boring. One scene is replayed three times with different interpretations but it’s hardly Rashomon and a movie this long can’t afford to dawdle. No one could mistake The Last Jedi for an outstanding contribution to cinema, or even to escapism, but it has its attractions.
Ryan Gilbey, New Statesman - Fresh
Indeed it does, Ryan. And that concludes part III. TL;DR:TLJ is TL.
submitted by egoshoppe to saltierthancrait [link] [comments]

Words and frequencies across all lyrics

Bit of a pointless post but something I was curious about. Combining all the lyrics from DCFC songs Ben has written, here are all the words used and the frequency of them.
834 the 587 and 479 you 432 i 369 a 356 to 264 in 235 of 180 that 175 your 148 it 146 all 144 me 141 so 140 on 135 my 132 we 125 be 123 but 121 for 119 as 116 when 114 was 113 with 110 is 107 this 100 are 85 no 84 they 82 it's 77 there 77 from 76 our 76 like 72 there's 69 know 68 will 66 what 64 just 61 you're 61 love 61 at 60 can't 59 don't 57 if 56 never 56 gold 54 were 54 rush 54 down 52 time 52 through 50 nothing 49 i'm 48 away 47 out 47 not 46 have 46 could 44 oh 43 where 43 way 42 into 41 'cause 40 heart 39 same 39 one 38 then 38 only 37 how 37 every 36 see 36 i'll 35 would 34 some 32 more 31 up 31 find 30 been 30 back 29 their 28 won't 28 why 28 here 28 do 27 who 27 or 27 can 26 now 26 by 26 an 25 stay 25 new 25 got 25 go 24 sun 24 something 24 she 24 little 24 feel 24 around 23 you'll 23 sunlight 23 open 23 night 23 i've 23 always 22 used 22 home 22 had 21 you've 21 us 21 than 21 said 21 didn't 20 wanderer 20 too 20 let 20 left 20 keep 20 he 20 days 19 they're 19 long 19 both 19 about 18 think 18 them 18 sound 18 say 18 make 18 lines 18 life 18 hold 18 eyes 18 end 18 change 18 boys 17 want 17 these 17 off 17 loved 17 his 17 cause 17 before 16 someone 16 skin 16 past 16 need 16 gotta 16 am 15 we'll 15 waiting 15 take 15 spend 15 remain 15 ooh 15 head 15 far 15 fall 15 doors 14 true 14 that's 14 tell 14 place 14 people 14 mind 14 inside 14 hear 14 alone 13 underneath 13 turn 13 things 13 sea 13 old 13 move 13 morning 13 man 13 live 13 last 13 i'd 13 get 13 fool 13 did 13 behind 13 air 13 again 12 words 12 unlocked 12 trying 12 took 12 told 12 thought 12 much 12 many 12 friends 12 ever 12 come 12 along 11 thing 11 still 11 slowly 11 sky 11 should 11 seems 11 remember 11 look 11 light 11 her 11 haunted 11 hard 11 free 11 everything 11 digging 11 black 11 bed 10 years 10 year 10 well 10 those 10 such 10 street 10 slow 10 room 10 monday 10 modern 10 knew 10 hope 10 getting 10 face 10 even 10 empty 10 drive 10 dream 10 day 10 dark 10 came 10 best 10 age 9 wonder 9 we're 9 under 9 turned 9 town 9 thinking 9 someday 9 side 9 safe 9 possess 9 once 9 ocean 9 near 9 moved 9 meet 9 lying 9 kept 9 help 9 hands 9 fire 9 finally 9 door 9 distance 9 disappeared 9 city 9 begin 9 beautiful 9 anymore 8 windows 8 while 8 truth 8 tried 8 tonight 8 speak 8 soul 8 right 8 please 8 pity 8 mouth 8 mirror 8 mean 8 leaving 8 lead 8 kind 8 hole 8 gonna 8 glass 8 give 8 floor 8 fading 8 fade 8 everyone 8 ending 8 cannot 8 burning 8 burn 8 break 7 young 7 you'd 7 worse 7 within 7 wish 7 wind 7 wha 7 walls 7 walking 7 until 7 tears 7 standing 7 speed 7 sometimes 7 sleep 7 quite 7 own 7 over 7 oo 7 name 7 motion 7 mine 7 may 7 making 7 lonely 7 leave 7 ho 7 hand 7 ground 7 gives 7 filled 7 fear 7 dreamt 7 different 7 debris 7 cool 7 body 7 better 7 being 7 ask 7 arms 7 anything 7 alright 7 alive 7 'til 6 yet 6 upon 6 two 6 try 6 today 6 times 6 thread 6 talking 6 takes 6 synapse 6 sycamore 6 summer 6 stop 6 start 6 stars 6 spoke 6 soon 6 sleeping 6 single 6 play 6 paper 6 nothing's 6 names 6 myself 6 mess 6 memories 6 made 6 looking 6 lights 6 its 6 higher 6 hearts 6 he's 6 has 6 half 6 grows 6 gone 6 girls 6 ghosts 6 full 6 found 6 first 6 felt 6 feeling 6 fast 6 ends 6 else 6 el 6 either 6 each 6 dorado 6 document 6 couldn't 6 clothes 6 closer 6 clear 6 call 6 california 6 built 6 bring 6 brain 6 belly 6 believe 6 bah 6 bad 6 baa 6 awake 6 another 6 against 5 yourself 5 yes 5 work 5 window 5 went 5 watching 5 watch 5 wasn't 5 wanted 5 wait 5 turns 5 together 5 three 5 thin 5 tangled 5 talk 5 taken 5 swim 5 summer's 5 stage 5 song 5 somewhere 5 shoulders 5 shoes 5 set 5 seem 5 screaming 5 scene 5 saw 5 save 5 sad 5 roll 5 revolved 5 read 5 rain 5 put 5 pretend 5 pass 5 parallel 5 nue 5 must 5 moving 5 mistakes 5 mistake 5 meets 5 lovers 5 lost 5 lose 5 listen 5 lips 5 line 5 late 5 kid 5 ing 5 hotel 5 hides 5 held 5 heaven 5 grow 5 gotten 5 goodbye 5 gave 5 gates 5 frame 5 followed 5 follow 5 faster 5 fair 5 faces 5 expect 5 enough 5 engine 5 dying 5 drunk 5 dress 5 dancing 5 cut 5 cruel 5 cracks 5 concrete 5 compromise 5 close 5 cars 5 buildings 5 broken 5 binds 5 between 5 beside 5 bend 5 below 5 began 5 because 5 beast 5 any 5 angeles 5 above 4 yeah 4 wrong 4 worth 4 without 4 winter 4 who's 4 white 4 which 4 wheel 4 wedding 4 water 4 wanna 4 walked 4 waited 4 view 4 vast 4 twisting 4 travels 4 thinner 4 teeth 4 steel 4 started 4 squeaking 4 space 4 softly 4 smoke 4 skyline 4 simply 4 silence 4 sent 4 sense 4 s 4 run 4 rooms 4 road 4 return 4 rest 4 reach 4 plays 4 perfect 4 outside 4 other 4 occurred 4 northern 4 nights 4 news 4 mountain 4 miles 4 met 4 machine 4 los 4 looked 4 less 4 leaves 4 learned 4 lay 4 known 4 keeps 4 ivory 4 information 4 ice 4 hurricane 4 houses 4 house 4 holding 4 him 4 hills 4 highway 4 guns 4 guess 4 gets 4 forget 4 forever 4 flows 4 flames 4 fingers 4 filling 4 father 4 farther 4 fact 4 everybody 4 escape 4 embrace 4 earth 4 dreams 4 doubt 4 done 4 dear 4 darkened 4 crawling 4 condescending 4 comfort 4 clouds 4 closed 4 climbed 4 climb 4 clean 4 child 4 car 4 cameras 4 calling 4 brothers 4 boy 4 bound 4 bones 4 blinding 4 blame 4 beneath 4 awoke 4 autumn 4 after 3 youth 3 yours 3 world 3 working 3 worked 3 word 3 wine 3 wife 3 what's 3 weeks 3 we'd 3 wave 3 watched 3 warm 3 wander 3 vultures 3 very 3 vacancy 3 understand 3 type 3 twin 3 trust 3 top 3 tired 3 tiny 3 though 3 thinks 3 tether 3 television 3 taste 3 tall 3 sweet 3 swallowed 3 surround 3 supposed 3 strong 3 streets 3 stranger 3 storm 3 stood 3 stays 3 stayed 3 station 3 static 3 stare 3 stand 3 stable 3 spread 3 spent 3 speaks 3 snow 3 smaller 3 slip 3 slept 3 skies 3 size 3 sink 3 singing 3 signs 3 sights 3 shroud 3 shared 3 series 3 self 3 second 3 seat 3 seasons 3 searching 3 school 3 saved 3 satisfied 3 runs 3 running 3 rubble 3 river 3 rhythm 3 remains 3 remainder 3 regret 3 reflection 3 recall 3 really 3 re 3 rather 3 rainy 3 promises 3 possibilities 3 plates 3 plastic 3 planned 3 plan 3 plain 3 places 3 placed 3 part 3 others 3 ones 3 nowhere 3 noise 3 neighborhood 3 music 3 mother 3 monument 3 mistress 3 meant 3 matter 3 maps 3 makes 3 lover 3 lookin' 3 longer 3 lie 3 learn 3 lake 3 lack 3 kissed 3 kids 3 keeping 3 isn't 3 island 3 inaccurately 3 illuminate 3 hunger 3 hung 3 hours 3 horizon 3 hell 3 hang 3 grid 3 grey 3 grass 3 good 3 gon' 3 glued 3 front 3 four 3 fly 3 fish 3 feet 3 familiar 3 falls 3 failure 3 failing 3 explain 3 eventually 3 endless 3 embarks 3 echoes 3 easy 3 east 3 early 3 drown 3 double 3 doing 3 discover 3 died 3 die 3 diamond 3 design 3 defeated 3 defeat 3 deep 3 decide 3 death 3 countless 3 counting 3 count 3 comes 3 collide 3 cold 3 cloud 3 claim 3 cigarette 3 children 3 changes 3 ceiling 3 care 3 burst 3 brown 3 bright 3 breathe 3 bought 3 bottle 3 born 3 bodies 3 blurs 3 bird 3 become 3 became 3 beach 3 bar 3 band 3 astound 3 asleep 3 apartment 3 anywhere 3 ain't 3 ago 3 across 3 'no's 2 york 2 wreckage 2 worry 2 winter's 2 win 2 wild 2 wide 2 whose 2 whole 2 whiskey 2 weight 2 weathered 2 we've 2 waving 2 wash 2 wants 2 waking 2 wake 2 waitresses 2 vows 2 voice 2 vine 2 views 2 veins 2 upstate 2 untrustable 2 unobstructed 2 unfold 2 underground 2 unconscious 2 twos 2 twenty 2 tv 2 turning 2 truths 2 tripped 2 towards 2 touching 2 touch 2 tongue 2 tones 2 tires 2 tire 2 till 2 tied 2 ticking 2 thrown 2 threw 2 threes 2 thousands 2 thousand 2 they've 2 there'd 2 ten 2 technicolor 2 tear 2 taking 2 synchronized 2 symphony 2 sworn 2 swift 2 swept 2 sweat 2 sure 2 superhero 2 suit 2 strobe 2 strange 2 stranded 2 straight 2 store 2 stopped 2 stones 2 stomach 2 step 2 states 2 state 2 starts 2 starting 2 stands 2 stake 2 stairs 2 stacked 2 st 2 sputters 2 spring 2 splinter 2 spit 2 sphere 2 speaking 2 spat 2 spark 2 son 2 something's 2 someone's 2 soaring 2 smugded 2 smiling 2 smile 2 smell 2 slipping 2 slightest 2 slide 2 skid 2 six 2 sitting 2 sit 2 sings 2 silver 2 signed 2 sign 2 sifting 2 shrugged 2 show 2 shouldn't 2 shore 2 shift 2 shed 2 share 2 shards 2 shallow 2 shake 2 shadows 2 settling 2 setting 2 sets 2 separate 2 sees 2 seen 2 seemed 2 security 2 secrets 2 season 2 scream 2 scraping 2 scenes 2 sand 2 safety 2 rows 2 routine 2 role 2 roads 2 rhythms 2 resolve 2 repeat 2 renewed 2 remained 2 refrain 2 refine 2 red 2 record 2 recognize 2 reason 2 real 2 reading 2 reaction 2 reaching 2 ravine 2 railroad 2 radio 2 quietly 2 quiet 2 question 2 queen 2 pushing 2 push 2 pursuit 2 pulling 2 pulled 2 pull 2 prove 2 potential 2 portable 2 poor 2 point 2 piles 2 pile 2 picked 2 photographs 2 photobooth 2 photo 2 phone 2 peter's 2 perspective 2 peace 2 pavement 2 patterns 2 passing 2 passenger 2 parlor 2 pane 2 pages 2 packed 2 pack 2 pace 2 oxygen 2 overloads 2 overcoat 2 outrun 2 optimist 2 notes 2 network 2 nervous 2 needs 2 neck 2 morse 2 moment 2 misleading 2 mile 2 metal 2 message 2 mention 2 men 2 memory 2 melody 2 markers 2 map 2 magazines 2 losing 2 lonesome 2 living 2 let's 2 led 2 lawn 2 laughed 2 language 2 knows 2 knots 2 knock 2 killing 2 keys 2 jury 2 judge 2 jar 2 isolation 2 iron 2 invitation 2 intermittent 2 intentions 2 instincts 2 ingested 2 infinite 2 image 2 idealistic 2 hour 2 honest 2 homes 2 holds 2 hint 2 hill 2 hedgerows 2 heard 2 headlights 2 he'd 2 hardly 2 hardest 2 hair 2 guiding 2 guide 2 growing 2 grouped 2 greys 2 grave 2 granted 2 going 2 goes 2 god 2 glasses 2 giving 2 given 2 girl 2 gilded 2 ghost 2 further 2 furniture 2 funny 2 frost 2 friend 2 freeways 2 forward 2 foreign 2 foolish 2 fluorescent 2 flights 2 flight 2 flickering 2 flicker 2 five 2 fits 2 fit 2 fine 2 final 2 film 2 fill 2 figured 2 field 2 fiction 2 few 2 fences 2 fell 2 fearful 2 favorite 2 fault 2 faucet 2 family 2 false 2 falling 2 faithful 2 eye 2 except 2 evergreen 2 evening 2 entered 2 engulfed 2 easily 2 ears 2 ear 2 dusty 2 drowned 2 drove 2 drop 2 droop 2 driving 2 drinks 2 drinking 2 drilled 2 dressed 2 dollar 2 doesn't 2 does 2 dive 2 distracted 2 disorderly 2 disappointment 2 disappear 2 directions 2 details 2 desert 2 depths 2 deepest 2 decided 2 december 2 dealers 2 dead 2 daylight 2 date's 2 darling 2 darkest 2 darker 2 damn 2 cycle 2 curtain 2 cursed 2 currency 2 cup 2 crystal 2 cry 2 crowns 2 cross 2 crippling 2 crimes 2 crashing 2 country 2 conversations 2 construction 2 constant 2 coney 2 complications 2 completely 2 command 2 colors 2 color 2 coldest 2 code 2 coat 2 coast 2 clarity 2 circles 2 cigarettes 2 choice 2 chemicals 2 cheap 2 chattered 2 chase 2 chance 2 catholic 2 cathedral 2 cath 2 catches 2 carried 2 cans 2 candle 2 camera 2 cake 2 busy 2 bus 2 build 2 brownstone 2 brow 2 broke 2 bridges 2 bridge 2 bricks 2 bow 2 bounce 2 bottom 2 bored 2 book 2 blues 2 blue 2 bleed 2 beverly 2 bent 2 belong 2 believed 2 beginning 2 becomes 2 beauty 2 beat 2 bastard 2 ball 2 bags 2 baggage 2 backwards 2 backbone 2 aware 2 atmosphere 2 atlas 2 atlantic 2 assume 2 askew 2 arrived 2 applause 2 apologies 2 apart 2 anyone 2 anticipation's 2 answer 2 amputating 2 already 2 almost 2 alleys 2 alcohol 2 advancing 2 advances 2 admit 2 address 2 accident 1 zone 1 zeros 1 zentropic 1 z 1 youthful 1 youngest 1 yearning 1 yearn 1 yard 1 wrote 1 wrongs 1 written 1 writing 1 write 1 wrinkles 1 wrinkled 1 wretched 1 wrecking 1 wrap 1 wounds 1 worthwhile 1 worst 1 worn 1 works 1 workadays 1 wore 1 wool 1 wood 1 woken 1 woke 1 withered 1 wished 1 wires 1 wintery 1 winners 1 window's 1 winded 1 willow 1 whom 1 whispers 1 whenever 1 wheezed 1 wheels 1 wet 1 weights 1 weightless 1 weigh 1 week 1 weave 1 weather 1 weary 1 wearing 1 wealthy 1 weak 1 ways 1 waves 1 water's 1 wasting 1 wasted 1 waste 1 washes 1 warn 1 warming 1 war 1 wall 1 walk 1 waits 1 vowels 1 volume 1 voices 1 vision 1 violent 1 villain 1 vile 1 vicious 1 vessels 1 vessel 1 versus 1 verse 1 vengeful 1 vending 1 veiled 1 vase 1 varies 1 variables 1 van 1 valleys 1 valley 1 vacant 1 uv 1 using 1 urge 1 urban 1 upwards 1 upstream 1 upside 1 upcoming 1 unwired 1 unseen 1 unresponsive 1 unknown 1 uninspired 1 unfounded 1 undone 1 underwhelming 1 understood 1 understated 1 unconditionally 1 umbrate 1 twists 1 twine 1 twilight 1 twice 1 tvs 1 turnstile 1 tunnels 1 tunneled 1 tunnel 1 truly 1 trudged 1 trouble 1 trend 1 tree 1 treble 1 treasures 1 treacherous 1 travel 1 trapped 1 transistor 1 trains 1 train 1 trailed 1 tragic 1 traffic 1 trades 1 traded 1 track 1 tracing 1 towers 1 tower 1 towed 1 tourists 1 tourist 1 tour 1 touched 1 toss 1 tortured 1 tomorrow 1 tombs 1 tokyo 1 toes 1 toe 1 timony 1 timely 1 til 1 tight 1 tide 1 tidal 1 thus 1 thursday 1 thumb 1 thses 1 throwing 1 throat 1 thoughts 1 thirty 1 thirteen 1 thinning 1 thicker 1 thickening 1 they'll 1 they'd 1 theme 1 thanksgiving 1 th 1 terrified 1 tenderly 1 temptation 1 temporary 1 tempo 1 tells 1 telling 1 telescope 1 teen 1 teachers 1 teach 1 taught 1 tattered 1 tasting 1 tastes 1 target 1 tapped 1 tape 1 tank 1 tangles 1 tan's 1 tamed 1 tame 1 tallest 1 taillights 1 tabloid 1 tables 1 swore 1 swings 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hard rock casino atlantic city age video

With a stay at Hard Rock Hotel & Casino Atlantic City, you'll be centrally located in Atlantic City, steps from Atlantic City Boardwalk and Steel Pier. This 4-star resort is 0.1 mi (0.1 km) from Atlantic City Beach and 1.2 mi (1.9 km) from Tanger Outlets The Walk. Enjoy modern accommodations, world-class entertainment, delicious dining, and enjoyable casino gaming at Hard Rock Hotel & Casino in Atlantic City. Hard Rock International completed its acquisition of the Trump Taj Mahal in April 2017 and unveiled plans for its redevelopment into the Hard Rock Hotel & Casino Atlantic City. The property underwent a $375 million renovation and at one time was set to open Memorial Day weekend 2018. (PRESS RELEASE) -- Hard Rock Hotel & Casino - Atlantic City announced today that over 2,000 front-line team members will receive a bonus for the second consecutive year in recognition of their loyalty, hard work, and dedication to the gaming resort throughout the pandemic and beyond. Chairman of Hard Rock International, Jim Allen, addressed team members virtually expressing his gratitude for ... Buy Sound Waves at Hard Rock Hotel & Casino Atlantic City tickets at Ticketmaster.com. Find Sound Waves at Hard Rock Hotel & Casino Atlantic City venue concert and event schedules, venue information, directions, and seating charts. ATLANTIC CITY — It was Saturday night at the Hard Rock Casino Hotel and all Joe Lupo could do was grimace. Last call had come and gone at the almost comic pandemic hour of 9:50 p.m., and the exodus had begun, as gamblers carrying their takeout noodles in brown bags headed for the escalator. Hard Rock Hotel and Casino in Atlantic City pledges bonuses for over 2,000 employees 2 February 2021 (PRESS RELEASE) -- Hard Rock Hotel & Casino - Atlantic City announced today that over 2,000 front-line team members will receive a bonus for the second consecutive year in recognition of their loyalty, hard work, and dedication to the gaming resort throughout the pandemic and beyond. ATLANTIC CITY — It was Saturday night at Hard Rock Hotel & Casino Atlantic City, and all Joe Lupo could do was grimace. Last call had come and gone at the almost comic pandemic hour of 9:50 p.m ... An Atlantic City Casino Like No Other. It’s always been renowned for its gaming scene, but in 2018, Atlantic City’s casino scene gets an infusion of classic rock and roll spirit. A high energy environment featuring slots, table games, and plenty of characters, the excitement of the floor can only be matched by the stories you’ll tell later. View deals for Hard Rock Hotel & Casino Atlantic City, including fully refundable rates with free cancellation. Guests praise the pleasant rooms. Atlantic City Boardwalk is minutes away. WiFi is free, and this resort also features 10 restaurants and 5 bars.

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